River's Edge (1986)
Director: Tim Hunter
Movie review
From Time Out Film Guide
Kicking off with an overweight and slobbish teenager (Roebuck) sitting dispassionately next to the naked corpse of the girl he's just murdered, this raw picture of the lost generation tackles thorny issues of responsibility and loyalty: will the psycho killer's peers remain true to their (lack of) ideals, or turn fink and risk retribution? In Hunter's smalltown hell, the dilemma is not easily dealt with: on the one hand, Roebuck's barely motivated act of violence escalates beyond fun into nightmare territory; on the other, society is truly fucked - why bother saving it? - with the kids gripped by the baleful influence of the dope-dealin', gun-totin', mannequin doll-lovin' Feck (Hopper, excessively indulged). For all its uncompromising toughness, the film, like the kids, gets out of hand, its bleak portrait of alienated, antisocial behaviour increasingly wrecked by hysterical performances (Glover especially), a sentimental teen-romance subplot, and melodramatic contrivance. There are some good, frightening scenes of volatile lunacy, but the whole thing badly lacks a controlling distance and perspective; much inferior to Hunter's script for Jonathan Kaplan's superficially similar Over the Edge, it continually teeters on the verge of self- parody.Author: GA
Cast & crew
Director: Tim Hunter
Producer: Sarah Pillsbury, Midge Sanford
Cast: Crispin Glover, Keanu Reeves, Ione Skye Leitch, Daniel Roebuck, Dennis Hopper, Joshua Miller, Roxana Za full cast
Duration: 100 mins
Most popular on this site
Features
To the letter
Forty years later, Costa-Gavras's Z still brims with fury.
Mind over matter
David Cronenberg reflects on a most bizarre body: his own corpus of work.
Fool's gold
Can an Oscar win lead to a cursed career? Here are five stories of postaward professional meltdowns.
We are the championed
Terrorists and teens abound in this year's "Film Comment Selects."
A history of violence
Matteo Garrone's kaleidoscopic Gomorrah wallops you with Italy's crime crisis.
True romantic
James Gray exchanges urban amorality for amour in Two Lovers.
Playing in the dark
MoMA salutes pianist Stuart Oderman's 50 years as the one-man sound of silents.
Junk bonds
Cast and crew recall the making of the classic NYC drug drama The Panic in Needle Park.



What do you think?
Post your review now