Film

Movie theaters, reviews and showtimes in New York, plus articles, trailers and more

 

The Jackal (1997)

Director: Michael Caton-Jones

Average user rating
1 review

Movie review

From Time Out Film Guide

The Cold War's over, but Russia's gangsters don't like FBI interference on their patch. Angered by the death of his brother, one of the Russians decides to punish the Bureau by hiring a top assassin, the Jackal (Willis), to eliminate a high profile target in full view of the American public. Working with Russian intelligence officer Koslova (Venora), the FBI's Deputy Director (Poitier) reckons the only way to stop the killer is to enlist imprisoned IRA terrorist Mulqueen (Gere) - who has his own reasons for hating the Jackal. So begins a race against time as the assassin, an anonymous master of disguise, moves in on his as-yet unidentified prey. Structurally, of course, this film echoes The Day of the Jackal, but where Fred Zinnemann opted for a meticulous, even dull study in procedural methods, Caton-Jones goes for pacy, well-staged action, colourful characters, and determinedly contemporary atmosphere. If it's sometimes hard to accept Gere's accent and tough guy stuff, Willis plays the lone, heartless killer with menace, flair and evident glee. Excellent performances, too, from Poitier and Venora.

Author: GA 0000-00-00 00:00:00

Time Out Film Guide


  • Print this page
  • Send to a friend

User reviews of this film

  • Alan said...
    Posted on Jul 14 2007 19:55 Poor. Willis superb, as ever. An IRA hero ? - infeasible. Poitier - neglible. As with the original, you want the target dead. The killer is, sadly, much more human than his targets.
    Report as inappropriate

What do you think?
Post your review now

clear rating
Min 1 star. Zero stars will be treated as unrated.

*mandatory fields





Features

Making a name for himself

Making a name for himself

Sin Nombre's Cary Joji Fukunaga learned his lessons well.

To the letter

Forty years later, Costa-Gavras's Z still brims with fury.

Mind over matter

David Cronenberg reflects on a most bizarre body: his own corpus of work.

Fool's gold

Can an Oscar win lead to a cursed career? Here are five stories of postaward professional meltdowns.

We are the championed

Terrorists and teens abound in this year's "Film Comment Selects."

A history of violence

Matteo Garrone's kaleidoscopic Gomorrah wallops you with Italy's crime crisis.

True romantic

James Gray exchanges urban amorality for amour in Two Lovers.

Playing in the dark

MoMA salutes pianist Stuart Oderman's 50 years as the one-man sound of silents.

Junk bonds

Cast and crew recall the making of the classic NYC drug drama The Panic in Needle Park.