Jane Eyre (1995)
Director: Franco Zeffirelli
Movie review
From Time Out Film Guide
A faithful adaptation, by Hugh Whitemore and director Franco Zeffirelli, aimed squarely at the middle ground. Its cinematic effects are generally banal - the elegant, slow dissolves that befit a prestige classic, hollow footsteps and an eerie laugh echoing through the Tower - but such restraint is welcome given what Zeffirelli is capable of. Mostly, he seems satisfied to let the actors get on with it, tacitly acknowledging that Charlotte Gainsbourg's Jane is his strongest asset. It's unusual to see a lead actress photographed so harshly. She is sallow with shadows under her eyes, yet has a defiant tilt of the chin and embodies a guilelessness which makes her deeply sympathetic. (She's also a credible match for Anna Paquin's forlorn young Jane.) Gainsbourg's so sparing with her smile, that each one cuts to the quick. William Hurt makes a strong fist of a less intimidating Rochester: he's brusque and morose, but altogether more accessible than the brooding romantics portrayed by Welles and Scott in earlier versions. In a way, that's the problem with this adaptation. It's too tame to stir the blood. We understand Jane's pain but not her passion. For all its melodramatic hyperbole, the 1943 version caught Charlotte Bronte's tenor more honestly than this. Very capable support, though, from Fiona Shaw (Mrs Reed), Amanda Root (Miss Temple), Joan Plowright (Mrs Fairfax), and Billie Whitelaw (Grace Poole).Author: TCh
Cast & crew
Director: Franco Zeffirelli
Producer: Dyson Lovell
Cast: Charlotte Gainsbourg, William Hurt, Joan Plowright, Anna Paquin, Geraldine Chaplin, Billie Whitelaw, Maria Schneider, Fiona Shaw, Elle Macpherson, John Wood, Amanda Root, Samuel West full cast
Genre(s): Period/Swashbucklers
Duration: 113 mins
Most popular on this site
Features
To the letter
Forty years later, Costa-Gavras's Z still brims with fury.
Mind over matter
David Cronenberg reflects on a most bizarre body: his own corpus of work.
Fool's gold
Can an Oscar win lead to a cursed career? Here are five stories of postaward professional meltdowns.
We are the championed
Terrorists and teens abound in this year's "Film Comment Selects."
A history of violence
Matteo Garrone's kaleidoscopic Gomorrah wallops you with Italy's crime crisis.
True romantic
James Gray exchanges urban amorality for amour in Two Lovers.
Playing in the dark
MoMA salutes pianist Stuart Oderman's 50 years as the one-man sound of silents.
Junk bonds
Cast and crew recall the making of the classic NYC drug drama The Panic in Needle Park.



What do you think?
Post your review now