Film

Movie theaters, reviews and showtimes in New York, plus articles, trailers and more

 

Afterglow (1997)

Director: Alan Rudolph

Average user rating
No reviews

Movie review

From Time Out Film Guide

As ever, Rudolph's subject is love cross-wired. Nolte is 'Lucky Mann', a fix-it man ready, willing and able to screw away from home with the tacit consent of his wife Phyllis (Christie), a retired B-movie actress. This ageing couple can't conceal the cracks in their marriage caused by the disappearance of their only daughter some years ago. A yuppie couple represent their mirror image: Marianne (Boyle) desperately wants to have a baby, but Jeffrey (Miller) refuses to have sex. As Marianne puts Lucky to work in the spare bedroom and Jeffrey chats up Phyl, each character in turn steps through the looking glass. The film begins with a man teetering on the edge and ends in a howl of anguish - and Tom Waits' aching 'Somewhere'. In between, Rudolph's taste for monologue and metaphorical conceit may prove too arch or theatrical for some, but when he zooms in slowly on Nolte's crumpled, leonine dignity or Christie's pained, still luminous smile, he achieves a singular nakedness. If the younger couple don't achieve the same resonance, they bring a welcome off-kilter energy to the mix. This rakes over the ashes, the inflections and infractions of an unhappy, still loving marriage with a memorable, plaintive grace.

Author: TCh 0000-00-00 00:00:00

Time Out Film Guide


  • Print this page
  • Send to a friend

What do you think?
Post your review now

clear rating
Min 1 star. Zero stars will be treated as unrated.

*mandatory fields





Features

Making a name for himself

Making a name for himself

Sin Nombre's Cary Joji Fukunaga learned his lessons well.

To the letter

Forty years later, Costa-Gavras's Z still brims with fury.

Mind over matter

David Cronenberg reflects on a most bizarre body: his own corpus of work.

Fool's gold

Can an Oscar win lead to a cursed career? Here are five stories of postaward professional meltdowns.

We are the championed

Terrorists and teens abound in this year's "Film Comment Selects."

A history of violence

Matteo Garrone's kaleidoscopic Gomorrah wallops you with Italy's crime crisis.

True romantic

James Gray exchanges urban amorality for amour in Two Lovers.

Playing in the dark

MoMA salutes pianist Stuart Oderman's 50 years as the one-man sound of silents.

Junk bonds

Cast and crew recall the making of the classic NYC drug drama The Panic in Needle Park.