Film

Movie theaters, reviews and showtimes in New York, plus articles, trailers and more

 

Alias Nick Beal (1949)

Director: John Farrow

Average user rating
No reviews

Movie review

From Time Out Film Guide

An undeservedly neglected film which should rank high on the list of Farrow's best. Starting out as a political thriller, almost imperceptibly it turns into fantasy, a variation on the Faust legend with honest, conscientious politician Mitchell falling under the spell of old Nick Beal (Milland) and turning into a ruthless, power-hungry monster. Working with his regular writer Jonathan Latimer, Farrow has a model screenplay of precision and construction, and adds to it careful detail, allusion and suggestion. Best of all is his visual coup of never having Milland walk into a scene: the camera continually discovers him as it or a character moves, and suddenly there he is when seconds ago he was nowhere. Sadly, there's a sellout religioso ending, which lessens the overall power of the suggestion of some all-pervasive, satanic evil.

Author: CW

Time Out Film Guide


  • Print this page
  • Send to a friend

What do you think?
Post your review now

clear rating
Min 1 star. Zero stars will be treated as unrated.

*mandatory fields


Cast & crew

Director: John Farrow

Producer: Endre Bohem

Cast: Ray Milland, Thomas Mitchell, Audrey Totter, George Macready, Fred Clark full cast

Genre(s): Thrillers

Duration: 93 mins




Features

Bridesmaid revisited

Bridesmaid revisited

Anne Hathaway crashes more than a wedding in Rachel Getting Married.

Old-school house

Old-school house

Even in the age of the multiplex, a few old movie theaters continue to thrive in NYC.

Keeping the faith

Hope abounds in Spike Lee’s latest—as it does in the director himself.

Going the distance

TONY toughs out the Toronto International Film Festival, blow by blow.

Race you to the top

Tyler Perry doesn’t need critics—and may not need new audiences.

Spanish intuition

Scarlett Johansson and Rebecca Hall flirt away an Iberian summer in Vicky Cristina Barcelona.

To air is human

Man on Wire, a new doc about a surreal Manhattan morning, aims high.