Film

Movie theaters, reviews and showtimes in New York, plus articles, trailers and more

 

Kama Sutra: A Tale of Love (1996)

Director: Mira Nair

Average user rating
No reviews

Movie review

From Time Out Film Guide

In 16th century India, two virgins - Princess Tara (Choudhury) and servant girl Maya (Varma) - play at being friends. They're destined to grow apart, but sex, as taught by the Kama Sutra, soon has them inextricably entwined. Tara and Maya appear equally spoilt and pouty; meanwhile, the objects of their affection, lecherous Raj Singh (Andrews) and brooding sculptor Jai (Tikaram), defy belief. Raj is the sort of man who flares his nostrils when aroused, while Jai is prone to such insights as, 'My work has a power even I can't explain.' The film is visually delicious (peacock colours nestling in a dusty postcard haze), but that it comes from Mira Nair, director of the heart-pummelling Salaam Bombay!, is dispiriting. If there's an underlying message, it's conservative. Even before her lessons in the art of love, Maya is instinctively more sensuous than Tara - low class babes, you see, have natural rhythm. And what's behind the deluge of sex tips? Be imaginative in bed, girls, or the man in your life will stray. Ye gods! It's like being stuck in a lift with Jane Seymour: slave-girl chic turned nauseatingly fragrant.

Author: CO'Su

Time Out Film Guide


  • Print this page
  • Send to a friend

What do you think?
Post your review now

clear rating
Min 1 star. Zero stars will be treated as unrated.

*mandatory fields





Features

Street fighting men

Street fighting men

BAM celebrates John Carpenter’s sci-fi-inflected rage against the machine.

Zoom in:

Zoom in:

They Live's Roddy Piper

The American experience

British comedian Steve Coogan gets in touch with his inner Yank in <em>Hamlet 2.</em>

Spanish intuition

Scarlett Johansson and Rebecca Hall flirt away an Iberian summer in Vicky Cristina Barcelona.

Shadows and frogs

Crime pays in Film Forum’s expansive French noir series.

Strip tease

IFC’s new midnight-movie series revisits Hollywood’s groovy ’60s scene.

To air is human

Man on Wire, a new doc about a surreal Manhattan morning, aims high.