Keep the Aspidistra Flying (1997)
Director: Robert Bierman
Movie review
From Time Out Film Guide
This adaptation of Orwell's '30s satire on the advertising game is a dull, timid movie, all romantic flurry, tarted-up design and chocolate box London location photography. Grant seems to fit the bill, looks and character-wise, as Gordon Comstock, the frustrated copywriter at New Albion Publicity who jacks it all in for the life of a bohemian writer in the Lambeth slums. There's a period angularity about his face and body, and his mannerisms suggest the requisite vanity and naivety. And Bonham Carter, the smart side of prim in three-quarter-length velvet coats and idiosyncratic millinery, is controlled exasperation itself as the designer who would be his bride. But Bierman, working from an uninspired script by Alan Plater, finds no way to engage with, or make relevant, the satire, and concentrates instead on routine romantic comedy. The project thus emasculated, all that remains is archaic dalliance, coy sex, tea shop chatter and laughable class caricature. Worse, the language remains flat, and - unintentionally or not - it's a reactionary reading.Author: WH
Cast & crew
Director: Robert Bierman
Producer: Peter Shaw
Cast: Richard E Grant, Helena Bonham Carter, Julian Wadham, Jim Carter, Harriet Walter, Bill Wallis, Lesley Vicerage, Liz Smith, Barbara Leigh Hunt full cast
Genre(s): Period/Swashbucklers
Duration: 101 mins
Most popular on this site
Features
To the letter
Forty years later, Costa-Gavras's Z still brims with fury.
Mind over matter
David Cronenberg reflects on a most bizarre body: his own corpus of work.
Fool's gold
Can an Oscar win lead to a cursed career? Here are five stories of postaward professional meltdowns.
We are the championed
Terrorists and teens abound in this year's "Film Comment Selects."
A history of violence
Matteo Garrone's kaleidoscopic Gomorrah wallops you with Italy's crime crisis.
True romantic
James Gray exchanges urban amorality for amour in Two Lovers.
Playing in the dark
MoMA salutes pianist Stuart Oderman's 50 years as the one-man sound of silents.
Junk bonds
Cast and crew recall the making of the classic NYC drug drama The Panic in Needle Park.



What do you think?
Post your review now