Film

Movie theaters, reviews and showtimes in New York, plus articles, trailers and more

 

Thirst (1949)

Director: Ingmar Bergman

Average user rating
No reviews

Movie review

From Time Out Film Guide

Although the screenplay was adapted by the theatre critic Herbert Grevenius from stories by the novelist/actress Birgit Tengroth, there's a decidedly autobiographical tint to these scenes from an acrimonious marriage, Bergman having recently broken with his second wife. In his first film to adopt a female point of view, Bergman traces the plight of Henning, stuck in a Swiss hotel room with husband Malmsten and wondering whether their union was such a great idea after all. The couple's discomfort with each other intensifies on a train journey through a still ravaged Germany, though the tart exchanges are slightly dissipated by a parallel plot involving the crisis of loneliness slowly devouring Malmsten's ex-lover Tengroth. It's a piercing, rather self-involved film, which never quite ties together its narrative strands and classical references (the legend of Arethusa and Alpheus as a metaphor for men and women surmounting their differences), but Bergman looks at home with the material and his confidence with the camera is developing accordingly. On balance, his strongest offering of the 1940s.

Author: TJ 0000-00-00 00:00:00

Time Out Film Guide


  • Print this page
  • Send to a friend

What do you think?
Post your review now

clear rating
Min 1 star. Zero stars will be treated as unrated.

*mandatory fields





Features

Making a name for himself

Making a name for himself

Sin Nombre's Cary Joji Fukunaga learned his lessons well.

To the letter

Forty years later, Costa-Gavras's Z still brims with fury.

Mind over matter

David Cronenberg reflects on a most bizarre body: his own corpus of work.

Fool's gold

Can an Oscar win lead to a cursed career? Here are five stories of postaward professional meltdowns.

We are the championed

Terrorists and teens abound in this year's "Film Comment Selects."

A history of violence

Matteo Garrone's kaleidoscopic Gomorrah wallops you with Italy's crime crisis.

True romantic

James Gray exchanges urban amorality for amour in Two Lovers.

Playing in the dark

MoMA salutes pianist Stuart Oderman's 50 years as the one-man sound of silents.

Junk bonds

Cast and crew recall the making of the classic NYC drug drama The Panic in Needle Park.