The Time Machine (2002)
Director: Simon Wells
Movie review
From Time Out Film Guide
If you were transfixed by the 1960 George Pal version of HG Wells' time-travelling tale, you'd have every right to be worried by the prospect of a retooled new version. Fortunately, director Wells (yes, the author's great-grandson) obviously loves the old movie too, for there's enough overlap to suggest this is as much a tribute as a remake. Obviously updated effects send Pearce's scientist reeling through the years, the charm of Pal's hand-crafted stop-motion giving way to glassy but undeniably striking digital visualisation as the camera zooms out from 1890s Manhattan to finish in orbit over the lunar colonisation predicted for the mid-21st century. Gladiator writer John Logan creates a nifty lost-love subplot to spark the physicist's initial endeavours, yet the movie comes slightly unstuck by the year 802,701. Mankind has split into benign surface-dwelling Eloi and rapacious subterranean Morlocks, while the plot disappointingly capitulates to CGI monsters and breathless punch-ups. If it puts up more of a struggle than most before it turns stupid, the film would thrill us all the more if Pearce shared some of predecessor Rod Taylor's decent, brawny sense of purpose.Author: TJ
Cast & crew
Director: Simon Wells
Producer: Walter F Parkes, David Valdes
Cast: Guy Pearce, Samantha Mumba, Mark Addy, Sienna Guillory, Phyllida Law, Alan Young, Omero Mumba, Yancey Arias, Orlando Jones, Jeremy Irons full cast
Duration: 96 mins
Most popular on this site
Features
To the letter
Forty years later, Costa-Gavras's Z still brims with fury.
Mind over matter
David Cronenberg reflects on a most bizarre body: his own corpus of work.
Fool's gold
Can an Oscar win lead to a cursed career? Here are five stories of postaward professional meltdowns.
We are the championed
Terrorists and teens abound in this year's "Film Comment Selects."
A history of violence
Matteo Garrone's kaleidoscopic Gomorrah wallops you with Italy's crime crisis.
True romantic
James Gray exchanges urban amorality for amour in Two Lovers.
Playing in the dark
MoMA salutes pianist Stuart Oderman's 50 years as the one-man sound of silents.
Junk bonds
Cast and crew recall the making of the classic NYC drug drama The Panic in Needle Park.



What do you think?
Post your review now