Tobacco Road (1941)
Director: John Ford
Movie review
From Time Out Film Guide
Ford's next film but one after The Grapes of Wrath, obviously intended by Fox as a follow-up in the Oscar-winning social conscience stakes, was generally castigated as a crude, stagy mockery, derived at one or two censorship removes from the play based on Erskine Caldwell's bawdily earthy novel. In retrospect, however, it emerges as a fascinatingly subversive piece, undermining the starry-eyed humanism of the earlier film's 'We are the people' view. Instead of Steinbeck's Joads of Oklahoma, stubbornly maintaining their faith in the American Dream even in the depths of misery, we get the Lesters of Georgia, poor white trash perfectly content to wallow fecklessly in their mire of animal sexuality (when young) or tranquil sloth (when old age takes over). Beautifully realised by Ford, not unlike Kazan's Baby Doll in its blackly comic blend of dark sexuality and overheated melodrama, Tobacco Road is often very funny, sometimes deeply moving, and always provocative in its acknowledgment of an alternative to 'the American way of life'.Author: TM
User reviews of this film
-
- gatling said...
- Posted on Feb 03 2008 22:56 I thought the movie to be very provocative and funny, yet bothersome. the dude character bugged the hell out of me and the sister bessie was a slut, like most the woman portrayed in movie. the guys were just a slutty. so I am not sure what I was to take out of this movie other than a feeling of remorse for watching it.
- Report as inappropriate
Cast & crew
Director: John Ford
Producer: Darryl F Zanuck
Cast: Charley Grapewin, Marjorie Rambeau, Gene Tierney, William Tracy, Elizabeth Patterson, Dana Andrews, Ward Bond, Zeffie Tilbury, Russell Simpson full cast
Duration: 84 mins
Most popular on this site
Features
To the letter
Forty years later, Costa-Gavras's Z still brims with fury.
Mind over matter
David Cronenberg reflects on a most bizarre body: his own corpus of work.
Fool's gold
Can an Oscar win lead to a cursed career? Here are five stories of postaward professional meltdowns.
We are the championed
Terrorists and teens abound in this year's "Film Comment Selects."
A history of violence
Matteo Garrone's kaleidoscopic Gomorrah wallops you with Italy's crime crisis.
True romantic
James Gray exchanges urban amorality for amour in Two Lovers.
Playing in the dark
MoMA salutes pianist Stuart Oderman's 50 years as the one-man sound of silents.
Junk bonds
Cast and crew recall the making of the classic NYC drug drama The Panic in Needle Park.



What do you think?
Post your review now