Trainspotting (1995)
Director: Danny Boyle
Movie review
From Time Out Film Guide
A shocking, painfully subjective trawl through the Edinburgh heroin culture of the 1980s, Irvine Welsh's cult novel is hardly an obvious choice for the team who made Shallow Grave. Yet the film's a triumph. Audaciously punching up the pitch-black comedy, juggling parallel character strands and juxtaposing image, music and voice-over with a virtuosity worthy of Scorsese on peak form, Trainspotting the movie captures precisely Welsh's insolent, amoral intelligence. Amoral, but not unthinking, and certainly not unfeeling. Nihilism runs deep in this movie, emotion cannot be countenanced, only blocked off by another hit, another gag, but the anarchic, exhilarating rush of the highs can't drown out the subsequent, devastating lows - these are two sides of the same desperation. Danny Boyle's intuitive, vital, empathetic direction pushes so far, the movie flies on sheer momentum - that and bravura performances from Bremner's gormless Spud, Carlyle's terrifying Begbie and, especially, McGregor's Renton, who supplies a low-key, charismatic centre. This may not have the weight of 'Great Art', but it crystallises youthful disaffection with the verve of the best and brightest pop culture. A sensation.Author: TCh
Cast & crew
Director: Danny Boyle
Producer: Andrew Macdonald
Cast: Ewan McGregor, Jonny Lee Miller, Ewen Bremner, Robert Carlyle, Kevin McKidd, Kelly MacDonald, Pauline Lynch, Irvine Welsh full cast
Genre(s): Drama
Duration: 93 mins
Most popular on this site
Features
To the letter
Forty years later, Costa-Gavras's Z still brims with fury.
Mind over matter
David Cronenberg reflects on a most bizarre body: his own corpus of work.
Fool's gold
Can an Oscar win lead to a cursed career? Here are five stories of postaward professional meltdowns.
We are the championed
Terrorists and teens abound in this year's "Film Comment Selects."
A history of violence
Matteo Garrone's kaleidoscopic Gomorrah wallops you with Italy's crime crisis.
True romantic
James Gray exchanges urban amorality for amour in Two Lovers.
Playing in the dark
MoMA salutes pianist Stuart Oderman's 50 years as the one-man sound of silents.
Junk bonds
Cast and crew recall the making of the classic NYC drug drama The Panic in Needle Park.



What do you think?
Post your review now