The Last Command (1928)
Director: Josef von Sternberg, Hans Dreier
Movie review
From Time Out Film Guide
The Last Command starts from a brilliant script idea: a Czarist general, defeated in the Russian revolution, finds himself down and out in Hollywood, working for peanuts as a bit-player in movies; he is spotted and hired by his former adversary, a Mayakovskian stage director turned Hollywood film-maker; and both men loved the same woman ten years earlier. (Goodrich's script was apparently from an original story by Sternberg, based on an incident told by Ernst Lubitsch to Lajos Biro...) Half the movie is an acid vision of the gap between success and the breadline in contemporary Hollywood, and the other half is a long flashback to revolutionary Russia, with the general seducing the woman Communist, imprisoning his rival, falling from power, and discovering abject humiliation. In other words, this is the first Sternberg masterpiece, the first of his glitteringly stylised rhapsodies of commitment and betrayal, expertly poised between satire and 'absurd' melodrama. The cast are fully equal to it; Jannings, in particular, turns the characteristic role of the general into an indelible portrait of arrogance, fervour and dementia. Even more incredible, the sheer sophistication of Sternberg's visuals makes nearly all current releases look old-fashioned.Author: TR
Cast & crew
Director: Josef von Sternberg, Hans Dreier
Producer: Joseph Bachman
Cast: Emil Jannings, Evelyn Brent, William Powell, Nicholas Soussanin, Michael Visaroff, Jack Raymond full cast
Genre(s): Westerns
Duration: 95 mins
Most popular on this site
Features
To the letter
Forty years later, Costa-Gavras's Z still brims with fury.
Mind over matter
David Cronenberg reflects on a most bizarre body: his own corpus of work.
Fool's gold
Can an Oscar win lead to a cursed career? Here are five stories of postaward professional meltdowns.
We are the championed
Terrorists and teens abound in this year's "Film Comment Selects."
A history of violence
Matteo Garrone's kaleidoscopic Gomorrah wallops you with Italy's crime crisis.
True romantic
James Gray exchanges urban amorality for amour in Two Lovers.
Playing in the dark
MoMA salutes pianist Stuart Oderman's 50 years as the one-man sound of silents.
Junk bonds
Cast and crew recall the making of the classic NYC drug drama The Panic in Needle Park.



What do you think?
Post your review now