The Last September (1999)
Director: Deborah Warner
Movie review
From Time Out Film Guide
Neil Jordan, one of the exec producers, suggested that Elizabeth Bowen's novel about the twilight of the Ascendancy in Ireland would be ideal for the first film of Deborah Warner, esteemed theatre and opera director. In the event, she has surrounded herself with the very best, developing the screenplay with John Banville, and drawing on cinematography and music from two of Kieslowski's former collaborators. Casting, too, for this story of the Anglo-Irish aristocracy in the autumn of 1920 is exemplary: Smith as the imperious lady of the manor, Gambon as the husband who's not quite as vague as he seems, Shaw the 'bohemian' vamp of a houseguest who sees through all of them. The centre of attention, however, is newcomer Hawes as Smith's young charge, whose yearning for excitement sees her torn between a British army officer and a notorious Republican terrorist. The film delivers quality performances and creates a suitably persuasive country house setting in which events unfold, but surprises are few on this well trodden ground, and the insights are hardly devastating. Though Warner does some eccentric things with the camera, she mainly concentrates on giving the actors their due. Against such competition, Hawes' trembling between passion and reticence looks accomplished indeed.Author: TJ
Cast & crew
Director: Deborah Warner
Producer: Yvonne Thunder
Cast: Maggie Smith, Michael Gambon, Jane Birkin, Fiona Shaw, Lambert Wilson, David Tennant, Richard Roxburgh, Keeley Hawes, Tom Hickey, Gary Lydon full cast
Duration: 103 mins
Most popular on this site
Features
To the letter
Forty years later, Costa-Gavras's Z still brims with fury.
Mind over matter
David Cronenberg reflects on a most bizarre body: his own corpus of work.
Fool's gold
Can an Oscar win lead to a cursed career? Here are five stories of postaward professional meltdowns.
We are the championed
Terrorists and teens abound in this year's "Film Comment Selects."
A history of violence
Matteo Garrone's kaleidoscopic Gomorrah wallops you with Italy's crime crisis.
True romantic
James Gray exchanges urban amorality for amour in Two Lovers.
Playing in the dark
MoMA salutes pianist Stuart Oderman's 50 years as the one-man sound of silents.
Junk bonds
Cast and crew recall the making of the classic NYC drug drama The Panic in Needle Park.



What do you think?
Post your review now