Film

Movie theaters, reviews and showtimes in New York, plus articles, trailers and more

 

Little Women (1933)

Director: George Cukor

Average user rating
No reviews

Movie review

From Time Out Film Guide

Surely the definitive version of Louisa May Alcott's novel, sweet, funny, perfectly cast, and exquisitely evocative in its New England period reconstruction. Cukor rightly emphasises the seasons, starting with a winter of discontent as, with father serving in the Civil War, the four March girls face the prospect of growing up in reduced circumstances. But as the seasons change, so do joys return, and the film offers an endlessly pleasurable series of vignettes: the breaching of the ogre's castle next door (to find it inhabited by a very kind old man and a very personable young one); the disastrous performance of Jo's play; the business of Beth's piano, and the fluttering alarms of her bout with scarlet fever; the first stirrings of romantic interests. The cement that holds all this together is Hepburn's miraculous performance as the tomboy Jo, angrily resisting the approach of womanhood ('Why can't we stay as we are?'). Cukor mines a rich vein of sentiment, never over-stepping the mark into slush, but it is Hepburn's Jo, making a subversive choice of what she wants her life to be, who ensures that the cosiness isn't everything.

Author: TM 0000-00-00 00:00:00

Time Out Film Guide


  • Print this page
  • Send to a friend

What do you think?
Post your review now

clear rating
Min 1 star. Zero stars will be treated as unrated.

*mandatory fields





Features

Making a name for himself

Making a name for himself

Sin Nombre's Cary Joji Fukunaga learned his lessons well.

To the letter

Forty years later, Costa-Gavras's Z still brims with fury.

Mind over matter

David Cronenberg reflects on a most bizarre body: his own corpus of work.

Fool's gold

Can an Oscar win lead to a cursed career? Here are five stories of postaward professional meltdowns.

We are the championed

Terrorists and teens abound in this year's "Film Comment Selects."

A history of violence

Matteo Garrone's kaleidoscopic Gomorrah wallops you with Italy's crime crisis.

True romantic

James Gray exchanges urban amorality for amour in Two Lovers.

Playing in the dark

MoMA salutes pianist Stuart Oderman's 50 years as the one-man sound of silents.

Junk bonds

Cast and crew recall the making of the classic NYC drug drama The Panic in Needle Park.