Film

Movie theaters, reviews and showtimes in New York, plus articles, trailers and more

 

London Belongs To Me (1948)

Director: Sidney Gilliat

Average user rating
1 review

Movie review

From Time Out Film Guide

A shabby London lodging-house has the usual assortment of oddballs, including Alastair Sim - that staple of eccentricity - as a phony medium. Most particularly, there is garage-hand Attenborough, who lives with his mum (Henson). For a while, the picture looks like out-takes from This Happy Breed, but it swerves into thrillerdom, and then into something else again when Attenborough steals a car and his former girlfriend is killed in a hit-and-run accident. Attenborough is sentenced to hang for murder, and his fellow-lodgers march to Whitehall demanding a reprieve. Gilliat handles the thematic lurching very ably, even if it does look like a filmed play, and Attenborough's performance uses the left-over menace and panic of Brighton Rock. (From a novel by Norman Collins.) ATu.

Author: ATu 0000-00-00 00:00:00

Time Out Film Guide


  • Print this page
  • Send to a friend

User reviews of this film

  • Jeff Laffel said...
    Posted on Dec 29 2007 10:40 A delightful film with yet another wonderful performance by Alistair Sim, but for grand scope it can't touch the novel on which it was based. The book, by Norman Collins, written in 1945, is Dickensian in style and can be called a lower middle class version of GRAND HOTEL with the inhabitants of a rooming house interacting as the backbone of England in the late 1930's. See the movie, yes, but find an old copy of the book and get set to lose yourself in it.
    Report as inappropriate

What do you think?
Post your review now

clear rating
Min 1 star. Zero stars will be treated as unrated.

*mandatory fields





Features

Making a name for himself

Making a name for himself

Sin Nombre's Cary Joji Fukunaga learned his lessons well.

To the letter

Forty years later, Costa-Gavras's Z still brims with fury.

Mind over matter

David Cronenberg reflects on a most bizarre body: his own corpus of work.

Fool's gold

Can an Oscar win lead to a cursed career? Here are five stories of postaward professional meltdowns.

We are the championed

Terrorists and teens abound in this year's "Film Comment Selects."

A history of violence

Matteo Garrone's kaleidoscopic Gomorrah wallops you with Italy's crime crisis.

True romantic

James Gray exchanges urban amorality for amour in Two Lovers.

Playing in the dark

MoMA salutes pianist Stuart Oderman's 50 years as the one-man sound of silents.

Junk bonds

Cast and crew recall the making of the classic NYC drug drama The Panic in Needle Park.