Film

Movie theaters, reviews and showtimes in New York, plus articles, trailers and more

 

The Chronicles of Riddick (2004)

Director: David Twohy

Average user rating
No reviews

Movie review

From Time Out London

Perhaps it’s a stretch to call this clamorous, ramshackle follow-up to Twohy’s 2000 sleeper hit ‘Pitch Black’ thought-provoking, but it certainly raises plenty of questions. Such as: did co-stars Diesel and Dench ever occupy the same set, or were the good lady’s digitally aided scenes spliced in via satellite? Is the film’s little-understood ‘underverse’ a revolving-door Hades or a particularly poetic line of futurist intimate garment? Is this a movie or a projected video game? The compartmentalised narrative and CGI cityscapes strongly suggest the latter, though the rote recyclings of ‘Mad Max’ and ‘The Matrix’ betray a few too many cinematic origins as the grumpy, musclebound ex-con Riddick reluctantly battles a crusading army of death-fetishist Necromongers. All that said, the sequel baton pass at the finale is pretty nifty, but it’s surely asking too much to think the filmmakers could leave us wanting more. Come to think of it, much, much less would have been best.

Author: JW 0000-00-00 00:00:00

Time Out London Issue 1775: August 25-September 1, 2004


  • Print this page
  • Send to a friend

What do you think?
Post your review now

clear rating
Min 1 star. Zero stars will be treated as unrated.

*mandatory fields





Features

Making a name for himself

Making a name for himself

Sin Nombre's Cary Joji Fukunaga learned his lessons well.

To the letter

Forty years later, Costa-Gavras's Z still brims with fury.

Mind over matter

David Cronenberg reflects on a most bizarre body: his own corpus of work.

Fool's gold

Can an Oscar win lead to a cursed career? Here are five stories of postaward professional meltdowns.

We are the championed

Terrorists and teens abound in this year's "Film Comment Selects."

A history of violence

Matteo Garrone's kaleidoscopic Gomorrah wallops you with Italy's crime crisis.

True romantic

James Gray exchanges urban amorality for amour in Two Lovers.

Playing in the dark

MoMA salutes pianist Stuart Oderman's 50 years as the one-man sound of silents.

Junk bonds

Cast and crew recall the making of the classic NYC drug drama The Panic in Needle Park.