Film

Movie theaters, reviews and showtimes in New York, plus articles, trailers and more

 

Ong-Bak (2003)

Director: Prachya Pinkaew

Average user rating
No reviews

Movie review

From Time Out London

Nong Pra-du village, northern Thailand. Once every 24 years the festival of Ong-Bak comes around, but this year the Buddha statue known as Ong-Bak is missing its head; an errant former son of the village has severed it as a sacrifice to his crime boss in Bangkok. This is bad news for the villagers, who face drought without their godhead’s head. Orphan martial-arts prodigy Ting (Tony Jaa) is sent to retrieve his fellow stone-face from the big bad city. Excelling in the ancient body-busting art of Muay Thai (or ‘Nine Body Weapons’), he has made a solemn vow to his monk master never to put his skills to use. Thankfully for the film’s commercial prospects, Bangkok is not a city that encourages such abstinence, and Ting soon sets his tutor’s advice aside for further consideration at a quieter time.
Pitched as Bruce Lee’s latest heir-apparent, Jaa works an authentic no-wires fight schtick, with a preponderance of elbows and knees; the director has a particular admiration for a falling elbow-to-head manoeuvre, which we’re repeatedly invited to admire from multiple angles. Jaa is a deadpan performer in other respects, but the film throws in various OTT opponents – I liked the bar fighter who made full use of the furniture, electrical wires and spectators – and semi-slapstick chase sequences. Womanhood gets raw treatment, but the mob lord who speaks and smokes through his tracheotomy pipe is a splendid update on the trad movie villain. Not the most ecumenical of picture-postcards – ‘Thais are Thai because of Thai boxing,’ proposes the closing-credits ditty – the film is scrappy fun.

Author: NB 0000-00-00 00:00:00

Time Out London Issue 1812: May 11-18 2005


  • Print this page
  • Send to a friend

What do you think?
Post your review now

clear rating
Min 1 star. Zero stars will be treated as unrated.

*mandatory fields





Features

Making a name for himself

Making a name for himself

Sin Nombre's Cary Joji Fukunaga learned his lessons well.

To the letter

Forty years later, Costa-Gavras's Z still brims with fury.

Mind over matter

David Cronenberg reflects on a most bizarre body: his own corpus of work.

Fool's gold

Can an Oscar win lead to a cursed career? Here are five stories of postaward professional meltdowns.

We are the championed

Terrorists and teens abound in this year's "Film Comment Selects."

A history of violence

Matteo Garrone's kaleidoscopic Gomorrah wallops you with Italy's crime crisis.

True romantic

James Gray exchanges urban amorality for amour in Two Lovers.

Playing in the dark

MoMA salutes pianist Stuart Oderman's 50 years as the one-man sound of silents.

Junk bonds

Cast and crew recall the making of the classic NYC drug drama The Panic in Needle Park.