Film

Movie theaters, reviews and showtimes in New York, plus articles, trailers and more

 

Shallow Ground (2004)

Director: Sheldon Wilson

Average user rating
No reviews

Movie review

From Time Out London

A frustrating mix of the familiar, the surprising and the downright daft, Sheldon Wilson’s ambitious, underachieved horror movie ultimately squanders its best ideas. A naked teenage boy covered in blood wanders out of the forest into a remote, soon-to-be-closed sheriff’s office. Carrying a red-handled knife used to kill a local woman one year before, he meekly submits to imprisonment but will not speak. The local law officers are clueless, in both senses of the word. Is the boy a serial killer, or the manifestation of some malevolent supernatural force? More confusing than intriguing, the shambolic plot is thrown off-kilter by irrelevant subplots, obvious red herrings and clumsy flashbacks. The prisoner bleeds from his eyes and ears, half-naked women are strung up and butchered, a macabre dinner party of mummified corpses is discovered. While the orchestral score and forced sound design hint at a fertile dam-burst of dark disturbance, this ‘Shallow Ground’ ultimately proves arid. ‘No One Leaves’ is scrawled in blood on a window. Even so, you may be tempted. 

Author: NF 2005-07-26 13:03:39

Time Out London Issue 1823: July 27-August 03 2005


  • Print this page
  • Send to a friend

What do you think?
Post your review now

clear rating
Min 1 star. Zero stars will be treated as unrated.

*mandatory fields





Features

Making a name for himself

Making a name for himself

Sin Nombre's Cary Joji Fukunaga learned his lessons well.

To the letter

Forty years later, Costa-Gavras's Z still brims with fury.

Mind over matter

David Cronenberg reflects on a most bizarre body: his own corpus of work.

Fool's gold

Can an Oscar win lead to a cursed career? Here are five stories of postaward professional meltdowns.

We are the championed

Terrorists and teens abound in this year's "Film Comment Selects."

A history of violence

Matteo Garrone's kaleidoscopic Gomorrah wallops you with Italy's crime crisis.

True romantic

James Gray exchanges urban amorality for amour in Two Lovers.

Playing in the dark

MoMA salutes pianist Stuart Oderman's 50 years as the one-man sound of silents.

Junk bonds

Cast and crew recall the making of the classic NYC drug drama The Panic in Needle Park.