Film

Movie theaters, reviews and showtimes in New York, plus articles, trailers and more

 

Wedding Crashers (2005)

Director: David Dobkin

Average user rating
No reviews

Movie review

From Time Out London

Let’s get one thing clear from the off: an Owen Wilson buddy flick without Ben Stiller Just Isn’t Right. Although director Dobkin maintains that crucial slacker-psycho balance by employing Vince Vaughn’s powdered-nose manicosity as Wilson’s comic foil, you can’t help but feel there’s a gaping hole where a small ball of crimplene-haired intensity should be. Vaughn and Wilson play two divorce mediators who get their kicks from gatecrashing weddings, where they have a wild old time entertaining the kids, dominating the dancefloor, scoffing the cake and shagging the bridesmaids. All is sporadically amusing in their bubble of optimistic immaturity, until the abruptly mood-sapping spectacle of LUV rears it’s ugly head, forcing these less-than-boyish lotharios (‘we’re not that young,’ goes one refrain) to reconsider their priorities during a weekend break with Christopher Walken (don’t worry, it all makes sense on screen).Caught partway between sensitive rom-com and boisterous buddy-flick, ‘Wedding Crashers’ is never sure how to resolve this divide, and – abandoning any pretence at brevity – methodically works through a cornucopia of subplots, comic tones and supporting characters in a bid to find a solution. Walken crops up as a De Niro-style scary father-in-law, Jane Seymour briefly debases herself, Isla Fisher appears as an ancillary love interest and finally Will Ferrell is called in to make sure things close with a bang. The latter’s ten-minute cameo almost pays off but it’s too little, too late; the lack of comic sleekness has already proved fatal. It’s good, but it’s no ‘Anchorman’.

Author: PW 2005-07-12 10:45:19

Time Out London Issue 1821: July 13-20 2005


  • Print this page
  • Send to a friend

What do you think?
Post your review now

clear rating
Min 1 star. Zero stars will be treated as unrated.

*mandatory fields





Features

Making a name for himself

Making a name for himself

Sin Nombre's Cary Joji Fukunaga learned his lessons well.

To the letter

Forty years later, Costa-Gavras's Z still brims with fury.

Mind over matter

David Cronenberg reflects on a most bizarre body: his own corpus of work.

Fool's gold

Can an Oscar win lead to a cursed career? Here are five stories of postaward professional meltdowns.

We are the championed

Terrorists and teens abound in this year's "Film Comment Selects."

A history of violence

Matteo Garrone's kaleidoscopic Gomorrah wallops you with Italy's crime crisis.

True romantic

James Gray exchanges urban amorality for amour in Two Lovers.

Playing in the dark

MoMA salutes pianist Stuart Oderman's 50 years as the one-man sound of silents.

Junk bonds

Cast and crew recall the making of the classic NYC drug drama The Panic in Needle Park.