Delwende (2005)
Director: S Pierre Yaméogo
Movie review
From Time Out New York
Opening with a traditional harvest celebration, Delwende soon turns its gaze on the darker side of the persistence of indigenous culture in postcolonial Africa. After being raped by a man whose identity she refuses to reveal, Pougbila (Ilboudo) is abruptly married off and sent away from her rural Burkina Faso village by her father. Her mother, Napoko (Yaméogo), objects vociferously to the decision, but soon finds herself evicted from the village after a traditional ceremony (involving a phallic object carried by “two virgin young men”) implicates her for witchcraft in the deaths of several local children.
The latest in a boomlet of explicitly antipatriarchal African art movies to reach American shores, Delwende bears a passing resemblance to the great Senegalese director Ousmane Sembene’s 2004 swan song, Moolaadé, in its deliberate pacing, lightly stylized performances and strong feel for the rhythms of contemporary village life, where young men in baseball caps may be seen carrying out ancient customs. But later scenes, in which Pougbila searches the homeless encampments of Ouagadougou—filled with outcast older women—for her mother, seem to unfold in another Africa entirely, its residents caught between merciless tradition and noisy, congested modernity.
Author: Joshua Land
Time Out New York Issue 680: October 9 - 15, 2008
Cast & crew
Director: S Pierre Yaméogo
Cast: Blandine Yaméogo, Claire Ilboudo, Celistin Zongo full cast
Genre(s): Drama
Rated: NR
Duration: 89 mins
US Release: Dec 14 2005
Most popular on this site
Features
To the letter
Forty years later, Costa-Gavras's Z still brims with fury.
Mind over matter
David Cronenberg reflects on a most bizarre body: his own corpus of work.
Fool's gold
Can an Oscar win lead to a cursed career? Here are five stories of postaward professional meltdowns.
We are the championed
Terrorists and teens abound in this year's "Film Comment Selects."
A history of violence
Matteo Garrone's kaleidoscopic Gomorrah wallops you with Italy's crime crisis.
True romantic
James Gray exchanges urban amorality for amour in Two Lovers.
Playing in the dark
MoMA salutes pianist Stuart Oderman's 50 years as the one-man sound of silents.
Junk bonds
Cast and crew recall the making of the classic NYC drug drama The Panic in Needle Park.



What do you think?
Post your review now