Lucky Number Slevin (2006)
Director: Paul McGuigan
Movie review
From Time Out London
Scottish filmmaker McGuigan follows up his vapid remake of ‘L’Appartement’ with another slick, hollow exercise in cinematic sleight of hand that mixes ‘The Sting’ with ‘The Usual Suspects’ to no great effect. Purposely convoluted and needlessly violent, this bizarrely titled thriller revolves around an apparent case of mistaken identity as Josh Hartnett’s Slevin is dragged from a friend’s New York apartment to separate audiences with rival crime bosses – the ‘Boss’ (Morgan Freeman, coasting) and Schlomo, aka the Rabbi (Ben Kingsley, dodgy accent) – and then informed that he (or rather his friend) owes them each money. And payback has a price. The Boss wants Schlomo’s son dead. If Slevin kills him, all debts will be waved. The Rabbi, meanwhile, just wants his $33K back… Caught between the absurdist and the semi-serious, the tortured, labyrinthine twists of Jason Smilovic’s not-as-smart-as-it-thinks-it-is script gradually reveal themselves in ever more ludicrous fashion, leaving the film to spiral under layers of arty pretension and narrative flip-flopping. A fact not helped by McGuigan’s ‘flashy’ direction nor by the set designer’s over-reliance on loud, wavy wallpaper. Only Lucy Liu’s insanely perky neighbour emerges with any real credit.Author: Mark Salisbury
Time Out London Issue 1853: February 22-March 1 2006
Cast & crew
Director: Paul McGuigan
Cast: Josh Hartnett, Ben Kingsley, Lucy Liu, Stanley Tucci, Bruce Willis, Morgan Freeman, Victoria Fodor full cast
Duration: 110 mins
Most popular on this site
Features
To the letter
Forty years later, Costa-Gavras's Z still brims with fury.
Mind over matter
David Cronenberg reflects on a most bizarre body: his own corpus of work.
Fool's gold
Can an Oscar win lead to a cursed career? Here are five stories of postaward professional meltdowns.
We are the championed
Terrorists and teens abound in this year's "Film Comment Selects."
A history of violence
Matteo Garrone's kaleidoscopic Gomorrah wallops you with Italy's crime crisis.
True romantic
James Gray exchanges urban amorality for amour in Two Lovers.
Playing in the dark
MoMA salutes pianist Stuart Oderman's 50 years as the one-man sound of silents.
Junk bonds
Cast and crew recall the making of the classic NYC drug drama The Panic in Needle Park.



What do you think?
Post your review now