Open Season (2006)
Director: Roger Allers, Jil Culton, Anthony Stacchi
Movie review
From Time Out Chicago
Critters who by all rights should be wild enjoy lives of luxury among humans until they are thrown back into nature. Quick, is that Madagascar, The Wild or Open Season? Do the people behind the computer-animation glut have no original ideas? Honestly, though, this is among the less annoying animated films to choke the theaters of late. Boog (Lawrence) is a grizzly bear who has been raised by well-meaning ranger Beth (Messing) in a mountain town. He sleeps in her garage, owns a teddy bear and uses the toilet. But when wisecracking mule deer Elliot (Kutcher) lures Boog into trashing a convenience store in search of chocolate, Beth goes all Born Free on Boog’s ass, dropping him (and Elliot) far from town so he can revert to nature. Boog just wants to get home. Elliot just wants to have fun. And a crazed hunter (Sinise) just wants to kill anything and everything with four legs. The whole film feels like the road-company production of a better film. The voice talents are adequate but not great, Paul Westerberg’s songs on the soundtrack are heartfelt but not memorable, and the animation is okay. That’s not exactly a ringing endorsement, but an indifferent shrug is about all we could muster.Author: Hank Sartin
Time Out Chicago Issue 83: Sept 28–Oct 4, 2006
Cast & crew
Director: Roger Allers, Jil Culton, Anthony Stacchi
Genre(s): Action/Adventure, Children's, Comedy
Duration: 86 mins
Most popular on this site
Features
To the letter
Forty years later, Costa-Gavras's Z still brims with fury.
Mind over matter
David Cronenberg reflects on a most bizarre body: his own corpus of work.
Fool's gold
Can an Oscar win lead to a cursed career? Here are five stories of postaward professional meltdowns.
We are the championed
Terrorists and teens abound in this year's "Film Comment Selects."
A history of violence
Matteo Garrone's kaleidoscopic Gomorrah wallops you with Italy's crime crisis.
True romantic
James Gray exchanges urban amorality for amour in Two Lovers.
Playing in the dark
MoMA salutes pianist Stuart Oderman's 50 years as the one-man sound of silents.
Junk bonds
Cast and crew recall the making of the classic NYC drug drama The Panic in Needle Park.



What do you think?
Post your review now