A Good Year (2006)
Director: Ridley Scott
Movie review
From Time Out London
Max Skinner (Russell Crowe) is a morally retarded City trader who lives by his hands-free kit and Tie Rack charge card until one day he inherits a vineyard in Provence from his daffy old uncle (Albert Finney). At first, the habitually xenophobic Max struggles with Smart cars, feisty women and ‘salt of the earth’ local types in his callous attempts to sell off the property and get the hell back to Blighty but, as quick as you can say moules marinières, he’s prancing around in espadrilles and a powder blue workshirt with a newly acquired joie de vivre. Obligatory Proustian flashbacks (fleshed out by Finney and Freddie Highmore as the young Max) allow for a heartening glimpse of Max’s carefree childhood, while Scott evokes the pastoral idyll of rural France by cluttering each shot with earthenware pots. Worst of all, we’re supposed to be satisfied with the fact that Max eventually foregoes his multi-million pound salary in order to turn over a considerable profit on a vineyard that churns out award-winning wine. But where’s the life lesson in that? The film then deigns to espouse the abhorrent notion that (socialist readers look away now) if you’re born a rich bastard, you’ll die a rich bastard. Escapist dilettantes may find ‘A Good Year’ light, breezy and charming but even the most rudimentary inspection will reveal the film’s sickeningly rotten core.Author: David Jenkins
Time Out London Issue 1888: October 25-November 1
Cast & crew
Director: Ridley Scott
Producer: Ridley Scott
Cast: Russell Crowe, Albert Finney, Rafe Spall, Marion Cotillard, Freddie Highmore, Archie Panjabi full cast
Genre(s): Comedy, Drama, Romance
Duration: 118 mins
Most popular on this site
Features
To the letter
Forty years later, Costa-Gavras's Z still brims with fury.
Mind over matter
David Cronenberg reflects on a most bizarre body: his own corpus of work.
Fool's gold
Can an Oscar win lead to a cursed career? Here are five stories of postaward professional meltdowns.
We are the championed
Terrorists and teens abound in this year's "Film Comment Selects."
A history of violence
Matteo Garrone's kaleidoscopic Gomorrah wallops you with Italy's crime crisis.
True romantic
James Gray exchanges urban amorality for amour in Two Lovers.
Playing in the dark
MoMA salutes pianist Stuart Oderman's 50 years as the one-man sound of silents.
Junk bonds
Cast and crew recall the making of the classic NYC drug drama The Panic in Needle Park.



What do you think?
Post your review now