Film

Movie theaters, reviews and showtimes in New York, plus articles, trailers and more

 

The Holiday (2006)

Director: Nancy Meyers

Average user rating
1 review

Movie review

From Time Out London

‘If you liked “Love Actually”, you’ll love this!’ is the sort of quote that could easily adorn the poster of ‘The Holiday’, but of course that may not endear it to everyone. A leisurely feelgood rom-com from the director of ‘What Women Want’, it has a big-name ensemble cast and ticks all the transatlantic boxes. An American woman (Cameron Diaz) and a Brit (Kate Winslet) swap houses for Christmas, both smarting from break-ups. While one gets Jude Law knocking on the door of a quaint Surrey cottage, the other finds Jack Black buzzing at the Hollywood mansion gates.

The film itself is only gently amusing, often lacking comic timing and relying on Diaz’s trademark high-heeled pratfalls and Winslet’s lovelorn ‘Bridget Jones’-style routine too heavily. Some charming moments come courtesy of the friendship between Iris (Winslet) and an ageing LA screenwriter (Eli Wallach) – although this also gives rise to pointed movie references harking after a bygone era the film clearly wishes it belongs to. Modern cynicism has no place here: the script even makes a pre-emptive strike against criticisms when a happier Iris announces that she’s decided to embrace ‘corny’. The romances, however, are handled with more precision and realism, and Law’s performance is a surprising stand-out (in his first romantic comedy). The long running time pays off, allowing female audiences to vicariously date Law’s character – although whether that will blind all of them to the film’s laboured set-up is another question. The ‘Love Actually’ comparison should work as a useful barometer here.

Author: Anna Smith 2006-12-05 11:27:24

Time Out London Issue 1894: December 6-13 2006


  • Print this page
  • Send to a friend

User reviews of this film

What do you think?
Post your review now

clear rating
Min 1 star. Zero stars will be treated as unrated.

*mandatory fields





Features

Making a name for himself

Making a name for himself

Sin Nombre's Cary Joji Fukunaga learned his lessons well.

To the letter

Forty years later, Costa-Gavras's Z still brims with fury.

Mind over matter

David Cronenberg reflects on a most bizarre body: his own corpus of work.

Fool's gold

Can an Oscar win lead to a cursed career? Here are five stories of postaward professional meltdowns.

We are the championed

Terrorists and teens abound in this year's "Film Comment Selects."

A history of violence

Matteo Garrone's kaleidoscopic Gomorrah wallops you with Italy's crime crisis.

True romantic

James Gray exchanges urban amorality for amour in Two Lovers.

Playing in the dark

MoMA salutes pianist Stuart Oderman's 50 years as the one-man sound of silents.

Junk bonds

Cast and crew recall the making of the classic NYC drug drama The Panic in Needle Park.