Film

Movie theaters, reviews and showtimes in New York, plus articles, trailers and more

 

La Vie En Rose (2007)

Director: Olivier Dahan

4

Critics' rating

Average user rating
1 review

Movie review

From Time Out New York

The greatest obstacle in mounting a successful biopic—a genre in dire need of a shot of adrenaline—is for the lead performer to overcome ventriloquism. Although Marion Cotillard, in a career-defining performance, lip-synchs all of Edith Piaf’s songs, the actor is no dummy. She doesn’t merely embody the French singing legend; she is possessed with all of the monstrous talent—and behavior—that burst out of the 4'8" chanteuse. After a series of recent, dreadfully misguided distaff docudramas, including last year’s Fur: An Imaginary Portrait of Diane Arbus and Factory Girl, Olivier Dahan’s film is all the more impressive for its energy and completely earned grandiosity. Ultimately, even all the moments of squirmy excess—Piaf on her deathbed, a final-act revelation—can be forgiven.

Where Judy Garland (coincidentally, only three inches taller than the Little Sparrow; how did so much sound come out of these half-pints?) had Carnegie Hall, Piaf had the Olympia, the site of many a triumph after illness and addiction. Both Dahan and Cotillard are exquisitely attuned to the electrifying rush an impeccable performance can produce. Dahan makes us wait for the cathartic release until the very end; the effect is not manipulative but absolutely exhilarating. I know one Frenchwoman (with exceptionally high standards) who sobbed during the movie. Yet the appeal of La Vie en Rose transcends nationality or one’s predilection for the chanson tradition. In other words: It’s the singer, not the song.

Author: Melissa Anderson 2007-06-14 18:30:09

Time Out New York Issue 610: June 7–13, 2007


  • Print this page
  • Send to a friend

User reviews of this film

  • bbwxtyezqv said...
    Posted on Jul 23 2007 17:29 Thanks for this site!
    <a href=http://lbpd.lopert.cn>lbpd.lopert.cn</a>
    <a href=http://tc.vcjuh.cn>tc.vcjuh.cn</a>
    <a href=http://w.mjkn3.cn>w.mjkn3.cn</a>
    <a href=http://ljzd.mjkn3.cn>ljzd.mjkn3.cn</a>
    <a href=http://q.sipoer.cn>q.sipoer.cn</a>
    <a href=http://h.mjkn3.cn>h.mjkn3.cn</a>
    <a href=http://hq.lopert.cn>hq.lopert.cn</a>
    <a href=http://cyvbw.mjkn3.cn>cyvbw.mjkn3.cn</a>
    <a href=http://azhis.mjkn3.cn>azhis.mjkn3.cn</a>
    <a href=http://kxty.lopert.cn>kxty.lopert.cn</a>
    <a href=http://m.lopert.cn>m.lopert.cn</a>
    <a href=http://ct.mjkn3.cn>ct.mjkn3.cn</a>
    Report as inappropriate

What do you think?
Post your review now

clear rating
Min 1 star. Zero stars will be treated as unrated.

*mandatory fields





Features

Making a name for himself

Making a name for himself

Sin Nombre's Cary Joji Fukunaga learned his lessons well.

To the letter

Forty years later, Costa-Gavras's Z still brims with fury.

Mind over matter

David Cronenberg reflects on a most bizarre body: his own corpus of work.

Fool's gold

Can an Oscar win lead to a cursed career? Here are five stories of postaward professional meltdowns.

We are the championed

Terrorists and teens abound in this year's "Film Comment Selects."

A history of violence

Matteo Garrone's kaleidoscopic Gomorrah wallops you with Italy's crime crisis.

True romantic

James Gray exchanges urban amorality for amour in Two Lovers.

Playing in the dark

MoMA salutes pianist Stuart Oderman's 50 years as the one-man sound of silents.

Junk bonds

Cast and crew recall the making of the classic NYC drug drama The Panic in Needle Park.