Fido (2006)
Director: Andrew Currie
Movie review
From Time Out New York
Sparks of life threaten to reanimate Fido, a zombie comedy that feels late to the bloody punch bowl. Yet the real hindrance here isn’t bad timing, but the movie’s tiresomely chirpy 1950s Father Knows Best setting, which wears out its welcome in seconds. (Wasn’t this kind of parody old in the ’80s?) As we learn in one of those jittery duck-and-cover mock educational films, American soldiers fought waves of the undead in the Zombie War and prevailed, turning their vanquished foes into gardeners and butlers for well-scrubbed suburban families. One such clan consists of status-seeking mom Helen (Moss), bread-earner Bill (Baker) and little Timmy (Ray), lonely until the family acquires “Fido” (Connolly), a soulful walking corpse.Forgetting the pointless Ike-era context for a second, several moments call out for a more serious treatment: the forlorn gaze of a trophy girlfriend gone bluish; the rite of passage that comes when a 12-year-old gets his first pistol (“It can come in handy!” confides Dad). Fido, though, is content with its far-from-heavenly message: Zombies are people too. That’s an absurd sentiment given the lengths gone to achieve it. The best horror movies say the exact opposite: People are zombies too.Author: Joshua Rothkopf
Time Out New York Issue 611: June 14–20, 2007
Cast & crew
Director: Andrew Currie
Cast: Billy Connolly, Carrie-Anne Moss, K’Sun Ray, Dylan Baker
Duration: 91 mins
Most popular on this site
Features
To the letter
Forty years later, Costa-Gavras's Z still brims with fury.
Mind over matter
David Cronenberg reflects on a most bizarre body: his own corpus of work.
Fool's gold
Can an Oscar win lead to a cursed career? Here are five stories of postaward professional meltdowns.
We are the championed
Terrorists and teens abound in this year's "Film Comment Selects."
A history of violence
Matteo Garrone's kaleidoscopic Gomorrah wallops you with Italy's crime crisis.
True romantic
James Gray exchanges urban amorality for amour in Two Lovers.
Playing in the dark
MoMA salutes pianist Stuart Oderman's 50 years as the one-man sound of silents.
Junk bonds
Cast and crew recall the making of the classic NYC drug drama The Panic in Needle Park.



What do you think?
Post your review now