CSNY: Déja Vù (2008)
Director: Bernard Shakey
Movie review
From Time Out New York
Baby boomers, rage against the dying of the light! As Bernard Shakey, his nom de cinéma, Neil Young rolls the cameras on himself and geriatric bandmates David Crosby, Stephen Stills and Graham Nash as they tenaciously cling to social relevance by generally preaching to the converted during their 2006 antiwar Freedom of Speech tour. Most of the emphasis is on songs from Young’s solo album Living with War, which CSN obligingly play in what they deem a “benevolent dictatorship” under the prolific singer-songwriter.
Songs calling for Bush’s impeachment garner “fuck you” responses in some red-state venues, and a few on-camera interviews spark heated debate. But the bulk of the movie is focused on those whom the peacenik troubadours rouse with their Woodstock-era message of love and nonviolence. Regrettably, Emmy Award–winning ABC News correspondent Mike Cerre, a credited writer and the film’s occasional narrator, gives the naturally biased documentary a seriously misleading sense of objective journalism.
Some of the new songs are genuinely touching, while others are a bit creaky; portraits of Iraq vets and their families deliver undeniable pathos. The core of this self-congratulatory call to arms, though, is a portrait of a geezer protest group still singing sweet songs but desperate for a voice.
Author: Stephen Garrett
Time Out New York Issue 669: July 23 -July 30, 2008
Most popular on this site
Features
To the letter
Forty years later, Costa-Gavras's Z still brims with fury.
Mind over matter
David Cronenberg reflects on a most bizarre body: his own corpus of work.
Fool's gold
Can an Oscar win lead to a cursed career? Here are five stories of postaward professional meltdowns.
We are the championed
Terrorists and teens abound in this year's "Film Comment Selects."
A history of violence
Matteo Garrone's kaleidoscopic Gomorrah wallops you with Italy's crime crisis.
True romantic
James Gray exchanges urban amorality for amour in Two Lovers.
Playing in the dark
MoMA salutes pianist Stuart Oderman's 50 years as the one-man sound of silents.
Junk bonds
Cast and crew recall the making of the classic NYC drug drama The Panic in Needle Park.



What do you think?
Post your review now