Last Chance Harvey (2008)
Director: Joel Hopkins
Movie review
From Time Out New York
Two old pros romantically tango in a heartwarming plot about life’s third acts—and if manners dictate that I mention that Emma Thompson is much younger than Dustin Hoffman, neither actor is green to the idea of infusing painfully stock material with heart and commitment. Divorced Harvey (Hoffman) is an aging jingle writer trapped in a desperate slump, about to be fired by a faithless boss. In London, Harvey watches as his radiant daughter is given away at the altar by her stepfather, to whom she’s now closer. But just when things look bleakest, he begins sparring flirtatiously in an airport bar with Kate (Thompson), also lonely. The connection is undeniable, but will they try to deny it anyway?
No, they won’t. If anything can be said to be wrong with so benign an affair, it’s simply that Last Chance Harvey doesn’t feel much like cinema. Little excites the material visually; the film’s dully lensed Blighty lends nothing to the drama. But to watch Hoffman and Thompson work the lines is to witness two extremely unlikely stars recapture the essence of their appeal: The tiny neurotic is suddenly Romeo again, while the cool Brit melts in the light of affection. For some, that will be enough.
Author: Joshua Rothkopf
Time Out New York Issue 690/691: December 18–31, 2008
Cast & crew
Director: Joel Hopkins
Cast: Dustin Hoffman, Emma Thompson, Eileen Atkins, Kathy Baker, Liane Balaban, James Brolin, Richard Schiff full cast
Genre(s): Romance
Rated: PG-13
Duration: 99 mins
US Release: Dec 25 2008
Most popular on this site
Features
To the letter
Forty years later, Costa-Gavras's Z still brims with fury.
Mind over matter
David Cronenberg reflects on a most bizarre body: his own corpus of work.
Fool's gold
Can an Oscar win lead to a cursed career? Here are five stories of postaward professional meltdowns.
We are the championed
Terrorists and teens abound in this year's "Film Comment Selects."
A history of violence
Matteo Garrone's kaleidoscopic Gomorrah wallops you with Italy's crime crisis.
True romantic
James Gray exchanges urban amorality for amour in Two Lovers.
Playing in the dark
MoMA salutes pianist Stuart Oderman's 50 years as the one-man sound of silents.
Junk bonds
Cast and crew recall the making of the classic NYC drug drama The Panic in Needle Park.



What do you think?
Post your review now