Dallas 362 (2003)
Director: Scott Caan
Movie review
From Time Out Film Guide
Rusty is 24 and it feels like he's been trying to beat up the whole world the last 10 years. Which more or less coincides with when he met trouble, aka his best friend Dallas (Caan). They beer 'n' brawl, but they both know something's got to give. Difference being, Rusty (Hatosy) hankers for the rodeo life; Dallas figures ripping off the local drug baron (his boss) is the smarter play. It's a West Coast Mean Streets, in other words, except that Harvey Keitel never consulted the psychiatrist who's boffing his mom (Lynch). Caan's directorial debut is eager to please, with flashy montage sequences, lots of colourful character bits (Van Lauren stands out as a Jew called Christian), black humour and a punk/blues score from the likes of Soledad Brothers and White Stripes.Author: TCh
Cast & crew
Director: Scott Caan
Producer: Gregory K Sabatino, Kip Konweiser
Cast: Shawn Hatosy, Scott Caan, Jeff Goldblum, Kelly Lynch, Heavy D, Bob Gunton, Val Lauren full cast
Duration: 90 mins
Most popular on this site
Top Stories
A Bond a day: No.7 'Diamonds Are Forever'
Join Time Out as we revisit the 21 official James Bond movies to celebrate the release of 'Quantum of Solace'
Steve McQueen on 'Hunger'
Dave Calhoun meets artist Steve McQueen’s whose debut feature film, ‘Hunger’, is the story of IRA hunger striker Bobby Sands
Producer Stephen Woolley on ‘How to Lose Friends and Alienate People’
Stephen Woolley, recalls the near catastrophes he had to contend with in bringing Toby Young’s memoir to the screen
Paul Newman: 1925 – 2008
Paul Newman died at his Connecticut home this weekend, at the age of 83. We look back at one of the great movie careers of the twentieth century
Richard Attenborough: interview
‘Entirely Up to You, Darling’ is the long-awaited autobiography from Sir Richard Attenborough. David Jenkins meets him in his Richmond home
Hard hacks to follow
To celebrate the release of 'How To Lose Friends and Alienate People', Time Out pick some of the toughest journalistic gigs in cinema








What do you think?
Post your review now