Film

What's on at the cinema plus reviews of the latest movie and DVD releases

Search cinema listings

Browse cinemas A-Z

Search 20,000 reviews

 

Blade Runner – The Director's Cut (1982)

Director: Ridley Scott

Average user rating
No reviews

Movie review

From Time Out Film Guide

More notable for what's been removed than for what's been added, this restored version of Scott's seminal sci-fi movie makes it clear that all its former faults were introduced by nervous studio executives, who thought the narrative too confusing, the ending too bleak. Gone is the redundant noir-style voice-over by Harrison Ford's blade runner (the plot makes more sense without it). Gone, too, the obviously tacked-on happy ending in which Ford and the replicant (Young) flew off into the sunset (which contradicted what we already knew about the replicant's built-in obsolescence). With one crucial exception, the effect of the restorations is less radical, although the extended romantic scenes between Ford and Young do flesh out their relationship. More cryptically, Ford's restored 'unicorn dream' is echoed later by an origami figure left by police chief Bryant's right-hand man Gaff (Olmos) - possibly hinting that Ford himself is a replicant. Perhaps this, too, like Young's treasured childhood memories, is just an implant. In its earlier incarnation, the film was a flawed masterpiece; in Scott's restored version, it is, quite simply, a masterpiece.

Author: NF 0000-00-00 00:00:00

Time Out Film Guide


  • Print this page
  • Send to a friend

What do you think?
Post your review now

clear rating
Min 1 star. Zero stars will be treated as unrated.

*mandatory fields





Top Stories

Review: Penélope Cruz more raunchy than ever in 'Nine'

Review: Penélope Cruz more raunchy than ever in 'Nine'

Dave Calhoun reports on Rob Marshall's Oscar-touted musical with Daniel Day-Lewis playing a troubled director

Time Out's 101 Films of the Decade

Time Out's 101 Films of the Decade

Ten years, thousands of movies and millions of dollars in international box office, and it all boils down to this

Jim Jarmusch on 'The Limits of Control'

Jim Jarmusch on 'The Limits of Control'

Jim Jarmusch has followed ‘Broken Flowers’ with an esoteric crime mystery. Dave Calhoun speaks to him from his New York office

Richard Linklater on 'Me and Orson Welles'

Richard Linklater on 'Me and Orson Welles'

Dave Calhoun meets the 49-year-old, Houston-born filmmaker Richard Linklater to discuss his new comedy

Our verdict on Peter Jackson's The Lovely Bones

Our verdict on Peter Jackson's The Lovely Bones

Peter Jackson ends a triumphant decade with a sentimental misfire with this lush Alice Sebold adaptation

On the set of Ken Loach's 'Route Irish'

On the set of Ken Loach's 'Route Irish'

Dave Calhoun meets Ken Loach on the set of his forthcoming Iraq war movie

Is 'Paranormal Activity' the new 'Blair Witch'?

Is 'Paranormal Activity' the new 'Blair Witch'?

How does a film go from DIY experiment to box-office smash? 'Paranormal Activity' director Oren Peli explains

A gateway to all things 'New Moon'

A gateway to all things 'New Moon'

In anticipation of 'The Twilight Saga: New Moon', Time Out is offering the chance to pick up a limited edition pack with three exclusive magazines and a free poster.

The films that deserve a TV spin-off

The films that deserve a TV spin-off

With Roland Emmerich suggesting he'd like to make a '2012' TV spin-off, we propose some more movie-to-TV serialisations

Time Out's 50 greatest animated films with commentary by Terry Gilliam

Time Out's 50 greatest animated films with commentary by Terry Gilliam

In celebration of the release of Pixar's 'Up' and Wes Anderson's 'Fantastic Mr Fox', read our rundown of fifty classic feature length animations