Film
What's on at the cinema plus reviews of the latest movie and DVD releases
Bob le Flambeur (1956)
Director: Jean-Pierre Melville
Movie review
From Time Out Film Guide
The cable car leads us down from the 'heaven' of the Sacré Coeur in Montmartre to the 'hell' of Pigalle, and as the neon is extinguished for another dawn, a weary Bob the Gambler treads his way home from the tables. Melville's 'love letter to Paris' is shot, like all good city films, between the hours of dusk and dawn, and is a loving recreation of all that is wonderful about the dark American city thrillers of the '30s and '40s. What doubles the pleasure, however, is that in spite of the heist, the double-crosses and the sudden death, it is still remarkably light in tone: an underworld comedy of manners. The courtly Monsieur Bob may wear a trenchcoat and fedora, but he rescues young ladies adrift in the milieu, remains loyal to his friend l'inspecteur, and gives the impression of wanting to rob the casino, not to assuage his gambling fever, but simply so that he can perform a robbery in dinner jacket. A wonderful movie with all the formal beauty, finesse and treacherous allure of green baize. CPea.Author: CPea
Cast & crew
Director: Jean-Pierre Melville
Producer: Jean-Pierre Melville
Cast: Roger Duchesne, Isabelle Corey, Daniel Cauchy, Guy Decomble, André Garret, Claude Cerval, Simone Paris, Howard Vernon full cast
Genre(s): Thrillers
Duration: 95 mins
Most popular on this site
Top Stories
Has David Cronenberg turned tame?
Has director David Cronenberg veered too far from his radical and bloody roots with new film 'A Dangerous Method'?
The 10 worst date movies
Just in time for Valentine's Day, we present ten of the least romantic films ever made
Where to watch this year's Oscar-nominated films
Find out where to watch 2012's Oscar-nominated films in London cinemas
10 unlikely badboy biopics
Featuring Phil Collins, Jeremy Clarkson, Nick Clegg, David Starkey and a host of other unlikely subjects
Interview: Sean Durkin on 'Martha Marcy May Marlene'
The first-time director of the brilliant new thriller discusses religious cults and robot boxing
Pop-up cinema for Valentine's Day
Side-step romantic clichés with some alternative Valentine’s viewing






What do you think?
Post your review now