Film

What's on at the cinema plus reviews of the latest movie and DVD releases

Search cinema listings

Browse cinemas A-Z

Search 20,000 reviews

 

Gods and Generals (2003)

Director: Ronald F Maxwell

Average user rating
1 review

Movie review

From Time Out Film Guide

A pig-headed romanticism about the ante-bellum American South still hangs in the air almost 150 years after its fall - an awfully late date to be spinning yarns in the wounded-nostalgia vein of Birth of a Nation and Gone With the Wind. Clocking in at nearly four hours and bankrolled by Ted Turner, this wooden historical re-enactment contends that the Civil War was fought essentially because a bunch of uppity Northerners invaded Virginia, a sanctum of fervent Christians who quote the Bible in daily conversation and treat their passionately loyal black employees with affection and respect. An hour goes by before 'slavery' is mentioned - in a college classroom in Maine, far north of what the script politely calls the 'Cotton States'. The procession of monotonous, oddly gore-free battles breaks frequently for bloated speechifying. Duvall sometimes hobbles by as a faintly senile Robert E Lee, but the film's parade of mouldy taxidermy gives centre stage to Confederate leader 'Stonewall' Jackson (Lang), a gentle zealot with a direct line to God. Ironically, Lang evokes iconic images of fanatical abolitionist John Brown, in a performance of such fascinating awfulness it does rough justice to the bird's nest glued to his face. In the gospel according to Turner and writer/director Maxwell, the war wasn't a political struggle with moral stakes, but simply a battle to defend home and hearth - and a home with a happy slave in the kitchen is where the heart is. (From the book by Jeff Shaara.)

Author: JWin 0000-00-00 00:00:00

Time Out Film Guide


  • Print this page
  • Send to a friend

User reviews of this film

  • Les Reid said...
    Posted on May 25 2009 14:49 This film takes the side of the Southern states in the American Civil War, despite the fact that slavery made the South wealthy and that is why they would not give it up. The film hides the brutal, immoral and inhumane reality of slavery under a sanctimonious goo of religiosity which simply adds hypocrisy to the charges against the South. An interesting study in evasion and moral duplicity on the part of the film-makers.
    Report as inappropriate

What do you think?
Post your review now

clear rating
Min 1 star. Zero stars will be treated as unrated.

*mandatory fields





Top Stories

Stephen Poliakoff discusses 'Glorious 39'

Stephen Poliakoff discusses 'Glorious 39'

Stephen Poliakoff’s ‘Glorious 39’ is his first film for cinema since ‘Food of Love’ in 1997. Dave Calhoun met him

Is 'Paranormal Activity' the new 'Blair Witch'?

Is 'Paranormal Activity' the new 'Blair Witch'?

How does a film go from DIY experiment to box-office smash? 'Paranormal Activity' director Oren Peli explains

Steven Soderbergh on 'The Informant!' and 'The Girlfriend Experience'

Steven Soderbergh on 'The Informant!' and 'The Girlfriend Experience'

We talk to Steven Soderbergh about his two forthcoming films: one featuring a porn star, the other a chubby Matt Damon

A gateway to all things 'New Moon'

A gateway to all things 'New Moon'

In anticipation of 'The Twilight Saga: New Moon', Time Out is offering the chance to pick up a limited edition pack with three exclusive magazines and a free poster.

London Children's Film Festival

London Children's Film Festival

Read our exclusive reviews of films playing at the 2009 London Children’s Film Festival

The films that deserve a TV spin-off

The films that deserve a TV spin-off

With Roland Emmerich suggesting he'd like to make a '2012' TV spin-off, we propose some more movie-to-TV serialisations

The Coen brothers discuss 'A Serious Man'

The Coen brothers discuss 'A Serious Man'

Masters of contrary comedy, Joel and Ethan Coen have struck gold again with their latest, ‘A Serious Man’

Michael Haneke discusses 'The White Ribbon'

Michael Haneke discusses 'The White Ribbon'

Dave Calhoun met with Michael Haneke in Munich to mull over the details of his Palme d'Or winner, 'The White Ribbon'

Ten inspirations behind 'Avatar'?

Ten inspirations behind 'Avatar'?

Time Out ponders the influences behind James Cameron's anticipated space-opera on the basis of the trailer

Time Out's 50 greatest animated films with commentary by Terry Gilliam

Time Out's 50 greatest animated films with commentary by Terry Gilliam

In celebration of the release of Pixar's 'Up' and Wes Anderson's 'Fantastic Mr Fox', read our rundown of fifty classic feature length animations