The Passion of the Christ (2004)
Director: Mel Gibson
Movie review
From Time Out Film Guide
With more than a suggestion of a horror film about it, Gibson's searing, bloody re-creation of Christ's tormented last hours - from arrest in Gethsemane, to trial, crucifixion and resurrection - is hard to recommend to any but the curious or the converted. Its insistence on the ugly physical nature of the ordeal is almost expressionist - the endless beatings, stonings, flailings and the like would have killed any man long before we see the welt-skeined, naked body hammered to the cross in slo-mo and extreme close-up. Arguably, the script by Gibson and Benedict Fitzgerald epitomises one Western tradition of gruesome iconic depictions of the Passion; but their extrapolations from the four Gospels suggest an anti-semitic interpretation that has no biblical justification, and their use of ludicrously intoned, subtitled Aramaic and Latin is a pretentious bid for authenticity. In technical terms, the film is occasionally impressive. Caleb Deschanel's careful compositions provide an ostensibly credible biblical setting, even if John Debney's epic-lite score is unable to match Gibson's extremist vision. But the film's characterisations deliver no insights. A negative and spiritually underwhelming experience.Author: WH
User reviews of this film
-
- David D Rodriguez said...
- Posted on Jan 09 2009 16:56 Most of the reviews I've read that are negative about the film say the same thing. To much horror, to much brutality, to much blood. There should have been more about the message of Jesus. Spoken like true sinners. I just saw the movie Jan. 08. I did not want to see it because I knew how guilty I would feel. I just wanted to know Christ died for my/our sins. That way I could say I was saved but still go ahead and sin but have no guilt. Seeing the way Christ suffered and was scorned by His own people for us really brings it home. To now see just how much God loved us to send His Son to die in that way for us makes us uneasy, defensive, almost angry. We all want to go to heaven, but we think we have time to live the way we want to and get around to Jesus later on. Seeing this movie throws a wrench in your worldly ways. The people that wanted the "Good News", well there's a book out called the bible, and many, many places to hear the word. But like I said your to busy living your worldly life searching for things to fill it. Believe me I know. The time is now, the clock is ticking.
- Report as inappropriate
-
- Technoguy said...
-
Posted on Mar 24 2008 22:32
I admire Gibson’s attempt to show us the ‘facts’ of Christ’s Passion,ie just what he had to suffer on our behalf.the physical torment ant torture and scourging with hooked flails.However in concentrating so literally on the brute physical horror with such life-denying certainty,he has cast out the pearl of Jesus’s teaching,the spiritual baby ,the poetry of his grace and the beauty of his News of the Kingdom.All the parables,the Miracles,the prophecies,the love.Gibson is giving us in our secular age a little of the literal fundamentalism lacking from our milk and water creed.A sock in the decadent jaw.Using ancient subtitled languages is his idea of authenticity.
However too, he has unbalanced the emphasis and made the Jews the Christ killers of traditional anti-semitism.Pilate gets off lightly.Caphiais is more complex than is represented. Israel was under occupation by the Romans and the Priesthood had to look after the wealthfare and safety of their people.Their idea in the Bible was that it was better for one man to die for the people to survive the terrible wrath of Roman power.Gibson’s vision is so black and white that you remember the anti-semitic
drunken rant he made against the police thinking they may have been Jewish ,saying rthey were responsible for all the world’s wars.Also his father is a well known anti-semite.Gibson is as likely to get his Christianty wrong as the largely secularised West
and to lash it with a pestilential sensationalism is just as likely to make it lose it’s way. For a better version go to even the BBCs The Passion,on this last week. - Report as inappropriate
Cast & crew
Director: Mel Gibson
Producer: Mel Gibson, Bruce Davey, Stephen McEveety
Cast: James Caviezel, Monica Bellucci, Claudia Gerini, Maïa Morgenstern, Sergio Rubini, Toni Bertorelli, Roberto Bestazzoni, Francesco Cabras, Giovanni Capalbo, Rosalinda Celentano, Emilio De Marchi, Francesco De Vito, Hristo Jivkov, Luca Lionello, Jarreth Merz, Hristo Naumov Shopov, Chokri Ben Zagdan, Luca De Dominicis, Pedro Sarubbi full cast
Genre(s): Horror
Duration: 127 mins
Most popular on this site
Top Stories
Hippies who work for The Man
To celebrate George Clooney comedy 'The Men who Stare at Goats', we look back at six memorable onscreen hippies who fought the system from within
Roland Emmerich's guide to disaster movies
Ahead of the release of '2012', Roland Emmerich offers his ten tips on creating the perfect global catastrophe
Grant Heslov: interview
Grant Heslov, director of 'The Men who Stare at Goats' talks about his old pal George Clooney, his interest in the paranormal, and his fond memories of working on 'Happy Days'
The Coen brothers discuss 'A Serious Man'
Masters of contrary comedy, Joel and Ethan Coen have struck gold again with their latest, ‘A Serious Man’
Ten inspirations behind 'Avatar'?
Time Out ponders the influences behind James Cameron's anticipated space-opera on the basis of the trailer
Michael Jackson's This Is It: review
Kenny Ortega's posthumous concert film is a rousing eulogy for one of pop's great enigmas
Michael Haneke: The man behind the menace
From Cannes to Munich to London, Dave Calhoun tours Michael Haneke's Palme d'Or winner, 'The White Ribbon'
Lone Scherfig talks 'An Education'
Danish director Lone Scherfig was an unlikely choice for a very English affair like 'An Education'. Cath Clarke meets her
How Jane Campion brought John Keats back to life
Time Out gets Romantic with the ‘difficult’ New Zealander about her new film, 'Bright Star'
Time Out's 50 greatest animated films with commentary by Terry Gilliam
In celebration of the release of Pixar's 'Up' and Wes Anderson's 'Fantastic Mr Fox', read our rundown of fifty classic feature length animations












What do you think?
Post your review now