Film
What's on at the cinema plus reviews of the latest movie and DVD releases
Prime Cut (1972)
Director: Michael Ritchie
Movie review
From Time Out Film Guide
Ritchie's inexplicably underrated second feature is a superb amalgam of pulp gangster thriller and fairytale, in which white knight/Chicago syndicate enforcer (Marvin) visits recalcitrant black knight/Kansas boss (Hackman), rescuing damsel in distress (Spacek, making her debut) while there. Underneath a surface that constantly juxtaposes opposites, Prime Cut concerns a curious, fundamental naiveté underlying America's corruption: that allows Hackman to give the country the dope and flesh it wants; that permits Marvin to attempt to live out his Beauty and the Beast romance; that implies, in the fairground shootout, an America totally oblivious to what is going on in front of its eyes. In his round-trip of bars, hotels, flophouses, ranches, cities and countryside, Ritchie demonstrates a truly fine handling of locations, best realised in two classic Hitchcock-like chases, through the fairground, and across a cornfield pursued by a combine harvester.Author: CPe
Cast & crew
Director: Michael Ritchie
Producer: Joe Wizan
Cast: Lee Marvin, Gene Hackman, Angel Tompkins, Gregory Walcott, Sissy Spacek, Janit Baldwin, William Morey full cast
Genre(s): Gangsters
Duration: 86 mins
Most popular on this site
Top Stories
Has David Cronenberg turned tame?
Has director David Cronenberg veered too far from his radical and bloody roots with new film 'A Dangerous Method'?
The 10 worst date movies
Just in time for Valentine's Day, we present ten of the least romantic films ever made
Where to watch this year's Oscar-nominated films
Find out where to watch 2012's Oscar-nominated films in London cinemas
10 unlikely badboy biopics
Featuring Phil Collins, Jeremy Clarkson, Nick Clegg, David Starkey and a host of other unlikely subjects
Interview: Sean Durkin on 'Martha Marcy May Marlene'
The first-time director of the brilliant new thriller discusses religious cults and robot boxing
Pop-up cinema for Valentine's Day
Side-step romantic clichés with some alternative Valentine’s viewing






What do you think?
Post your review now