Attack of the Puppet People (1958)
Director: Bert I Gordon
Movie review
From Time Out Film Guide
Having already cashed in on the success of The Incredible Shrinking Man by rushing out (on the principle of opposites) The Amazing Colossal Man, producer/director Gordon went the whole hog with this tale of a lonely doll-maker (Hoyt) given to miniaturising human beings. Unsurprisingly, it's a poor second cousin to the Richard Matheson/Jack Arnold mini-classic, with poor characterisation beaten only by penny-pinching special effects, reaching a nadir with some truly laughable back projection when a couple of the unwilling little people take to the pre-dawn LA streets. Nevertheless, this is still plenty of fun, from its pseudo-science ('You know how a projector works, enlarging an image...' begins Zer Nutsy Puppeteer) to one of the shrunken gals launching reluctantly into the pop pastiche 'I'm Your Living Doll'.Author: GD
Cast & crew
Director: Bert I Gordon
Cast: John Agar, June Kenny, John Hoyt, Michael Mark, Marlene Willis full cast
Genre(s): Horror
Duration: 79 mins
Most popular on this site
Top Stories
A Bond a day: No.7 'Diamonds Are Forever'
Join Time Out as we revisit the 21 official James Bond movies to celebrate the release of 'Quantum of Solace'
Steve McQueen on 'Hunger'
Dave Calhoun meets artist Steve McQueen’s whose debut feature film, ‘Hunger’, is the story of IRA hunger striker Bobby Sands
Producer Stephen Woolley on ‘How to Lose Friends and Alienate People’
Stephen Woolley, recalls the near catastrophes he had to contend with in bringing Toby Young’s memoir to the screen
Paul Newman: 1925 – 2008
Paul Newman died at his Connecticut home this weekend, at the age of 83. We look back at one of the great movie careers of the twentieth century
Richard Attenborough: interview
‘Entirely Up to You, Darling’ is the long-awaited autobiography from Sir Richard Attenborough. David Jenkins meets him in his Richmond home
Hard hacks to follow
To celebrate the release of 'How To Lose Friends and Alienate People', Time Out pick some of the toughest journalistic gigs in cinema








What do you think?
Post your review now