Film

What's on at the cinema plus reviews of the latest movie and DVD releases

Search cinema listings

Browse cinemas A-Z

Search 20,000 reviews

 

Two-Lane Blacktop (1971)

Director: Monte Hellman

Average user rating
1 review

Movie review

From Time Out Film Guide

Hellman, as his later inactivity testifies, seems to have turned himself into box-office anathema by toying once too often with his beloved actes gratuites, so open-ended that they would delight even the most demanding existentialist. Here two young hot-rodders (Taylor, Wilson), making their way across America by picking up racing bets on the side, challenge (or are challenged by) the boastful middle-aged owner of a gleaming new Pontiac (Oates). As their mesmeric duel unfolds within a landscape that narrows down to a claustrophobic tunnel of highways, filling stations and roadside cafés, it soon becomes apparent that Hellman is less interested in allegory (class and generation conflicts as in Easy Rider) or in the race itself (which simply fizzles out), than in the mysterious process whereby a challenge is subtly metamorphosed into an obsession. Self-enclosed, self-absorbed, and self-destructive (as the last shot of the film catching in the projector and burning suggests), it's absolutely riveting.

Author: TM 0000-00-00 00:00:00

Time Out Film Guide


  • Print this page
  • Send to a friend

User reviews of this film

  • Technoguy said...
    Posted on Jan 10 2008 15:37 The title says it all.A stripped down,lean existentialist movie.Two cars race each other to Washington DC.But it's the journey rather than the destination or arrival that's important.The Driver and the mechanic,James Taylor and Dennis Wilson speak little dialogue but you see them a lot as they set themselves up as the Best taking on all other road racers usually on race tracks.They pick up a girl who hitches with them.Warren Oates provides the main competition and charismatic core of the film.He coninually talks and hustles and competes even for the girl.They develop a kind of respect and camaraderie with the older man , a spirit of the open road while still competing with him,the younger musicians become a foil to his superb acting master class.GTO(Oates) picks up different hitch hikers,subtly changing his story about his destination with each one,the troupers,the hippy,the molester,the old lady.His at one point gets stopped by police for speeding but carries on.
    There are frequent stops for petrol,drinks etc. The randomness and gritty flavour of the road is real.The young girl hops off with a biker after having fired all the competitors up.This film has acquired a cult status due to being out of circulation for 30 years and also because of its undiminished excellence.At the end the celluloid seems to burn up summing up the whole philosophy of the film.
    ]
    The title says it all.A stripped down,lean existentialist movie.Two cars race each other to Washington DC.But it's the journey rather than the destination or arrival that's important.The Driver and the mechanic,James Taylor and Dennis Wilson speak little dialogue but you see them a lot as they set themselves up as the Best taking on all other road racers usually on race tracks.They pick up a girl who hitches with them.Warren Oates provides the main competition and charismatic core of the film.He coninually talks and hustles and competes even for the girl.They develop a kind of respect and camaraderie with the older man , a spirit of the open road while still competing with him,the younger musicians become a foil to his superb acting master class.GTO(Oates) picks up different hitch hikers,subtly changing his story about his destination with each one,the troupers,the hippy,the molester,the old lady.His at one point gets stopped by police for speeding but carries on.
    There are frequent stops for petrol,drinks etc. The randomness and gritty flavour of the road is real.The young girl hops off with a biker after having fired all the competitors up.This film has acquired a cult status due to being out of circulation for 30 years and also because of its undiminished excellence.At the end the celluloid seems to burn up summing up the whole philosophy of the film.
    ]
    The title says it all.A stripped down,lean existentialist movie.Two cars race each other to Washington DC.But it's the journey rather than the destination or arrival that's important.The Driver and the mechanic,James Taylor and Dennis Wilson speak little dialogue but you see them a lot as they set themselves up as the Best taking on all other road racers usually on race tracks.They pick up a girl who hitches with them.Warren Oates provides the main competition and charismatic core of the film.He coninually talks and hustles and competes even for the girl.They develop a kind of respect and camaraderie with the older man , a spirit of the open road while still competing with him,the younger musicians become a foil to his superb acting master class.GTO(Oates) picks up different hitch hikers,subtly changing his story about his destination with each one,the troupers,the hippy,the molester,the old lady.His at one point gets stopped by police for speeding but carries on.
    There are frequent stops for petrol,drinks etc. The randomness and gritty flavour of the road is real.The young girl hops off with a biker after having fired all the competitors up.This film has acquired a cult status due to being out of circulation for 30 years and also because of its undiminished excellence.At the end the celluloid seems to burn up summing up the whole philosophy of the film.
    ]
    The title says it all.A stripped down,lean existentialist movie.Two cars race each other to Washington DC.But it's the journey rather than the destination or arrival that's important.The Driver and the mechanic,James Taylor and Dennis Wilson speak little dialogue but you see them a lot as they set themselves up as the Best taking on all other road racers usually on race tracks.They pick up a girl who hitches with them.Warren Oates provides the main competition and charismatic core of the film.He coninually talks and hustles and competes even for the girl.They develop a kind of respect and camaraderie with the older man , a spirit of the open road while still competing with him,the younger musicians become a foil to his superb acting master class.GTO(Oates) picks up different hitch hikers,subtly changing his story about his destination with each one,the troupers,the hippy,the molester,the old lady.His at one point gets stopped by police for speeding but carries on.
    There are frequent stops for petrol,drinks etc. The randomness and gritty flavour of the road is real.The young girl hops off with a biker after having fired all the competitors up.This film has acquired a cult status due to being out of circulation for 30 years and also because of its undiminished excellence.At the end the celluloid seems to burn up summing up the whole philosophy of the film.
    ]
    Report as inappropriate

What do you think?
Post your review now

clear rating
Min 1 star. Zero stars will be treated as unrated.

*mandatory fields





Top Stories

Our verdict on Peter Jackson's The Lovely Bones

Our verdict on Peter Jackson's The Lovely Bones

Peter Jackson ends a triumphant decade with a sentimental misfire with this lush Alice Sebold adaptation

On the set of Ken Loach's 'Route Irish'

On the set of Ken Loach's 'Route Irish'

Dave Calhoun meets Ken Loach on the set of his forthcoming Iraq war movie

Stephen Poliakoff discusses 'Glorious 39'

Stephen Poliakoff discusses 'Glorious 39'

Stephen Poliakoff’s ‘Glorious 39’ is his first film for cinema since ‘Food of Love’ in 1997. Dave Calhoun met him

Is 'Paranormal Activity' the new 'Blair Witch'?

Is 'Paranormal Activity' the new 'Blair Witch'?

How does a film go from DIY experiment to box-office smash? 'Paranormal Activity' director Oren Peli explains

Steven Soderbergh on 'The Informant!' and 'The Girlfriend Experience'

Steven Soderbergh on 'The Informant!' and 'The Girlfriend Experience'

We talk to Steven Soderbergh about his two forthcoming films: one featuring a porn star, the other a chubby Matt Damon

A gateway to all things 'New Moon'

A gateway to all things 'New Moon'

In anticipation of 'The Twilight Saga: New Moon', Time Out is offering the chance to pick up a limited edition pack with three exclusive magazines and a free poster.

London Children's Film Festival

London Children's Film Festival

Read our exclusive reviews of films playing at the 2009 London Children’s Film Festival

The films that deserve a TV spin-off

The films that deserve a TV spin-off

With Roland Emmerich suggesting he'd like to make a '2012' TV spin-off, we propose some more movie-to-TV serialisations

The Coen brothers discuss 'A Serious Man'

The Coen brothers discuss 'A Serious Man'

Masters of contrary comedy, Joel and Ethan Coen have struck gold again with their latest, ‘A Serious Man’

Time Out's 50 greatest animated films with commentary by Terry Gilliam

Time Out's 50 greatest animated films with commentary by Terry Gilliam

In celebration of the release of Pixar's 'Up' and Wes Anderson's 'Fantastic Mr Fox', read our rundown of fifty classic feature length animations