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Munich (2005)

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From Time Out London

Why did I have to marry a sentimentalist?’ Daphna (Ayelet Zurer) indulgently moans at the husband (Eric Bana) who has dashed across a continent to her bedside for their firstborn’s arrival. It’s an odd question to hear in a Spielberg film, and an even odder context given the apparently compulsive idolatry of the family that runs through his films. Yet in ‘Munich’ he acknowledges that the defence of the family and home can yield destruction, perhaps evil.

Following Palestinian terrorists’ massacre of Israeli athletes at the 1972 Munich Olympics, Bana’s Avner is recruited to head up a Mossad assassination squad (including Ciaran Hinds, Daniel Craig and Mathieu Kassovitz) targeting those deemed responsible. But as they kill their way around Europe in a series of meticulously executed set-pieces, he begins to question whether such retribution can really promote catharsis, let alone peace.

The unobjectionable moral – violence begets violence – is illustrated by ‘geddit?’ dramatic ironies (hunter becomes hunted) and gross violence (one target’s limbs are left dangling from hotel furnishings); if the squad ape the terrorists’ unaccountability and invisibility, Spielberg recognises the appeal of homicidal spectaculars. The idea of Munich as the dawn of media terrorism plays into the intriguing, ambiguous context in which the film locates its action. It posits the siege and Israel’s response (personified in Lynn Cohen’s steely Golda Meir) as a geopolitical bridge between Holocaust and jihad while giving space to a young Palestinian’s insistence that ‘home is everything’ and that the struggle will continue through children yet unborn – a motif mirrored in Avner’s own family life. Who could have expected Spielberg, of all directors, to twin the reproductive cycle with the cycle of violence?

Author: BW

Time Out London Issue 1849: January 25-February 1 2006

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User reviews of this film

You've rlealy impressed m said...

Posted on Jan 21 2012 22:29 You've rlealy impressed me with that answer!

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brenda said...

Posted on Apr 30 2011 23:58 Questionable Israeli violence didn't start after 'Munich', more likely with the invasion of Palestine! The film is a weapon in that war, not an observation of it. If it's history you want, get out of the cinema. But as a film this rocks in the usual Speilberg way. A Jewish master at work.

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Hoi Poloi said...

Posted on Oct 07 2009 15:28 This film blew my mind- edge of your seat stuff from begining to end.

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