Film

What's on at the cinema plus reviews of the latest movie and DVD releases

Search cinema listings

Browse cinemas A-Z

Search 20,000 reviews

 

Hot Fuzz (2007)

Director: Edgar Wright

Average user rating
3 reviews

Synopsis

A city cop investigates a series of grisly deaths in the seemingly sleepy village of Sandford.

Movie review

From Time Out London

The Sandford Players’ tribute to ‘Romeo and Juliet’ isn’t your average pig’s ear of a local production: this particular pig’s ear is modelled on Baz Luhrmann’s high-octane celluloid adaptation, down to a curtain-call singalong of The Cardigans’ ‘Lovefool’, as featured on Luhrmann’s soundtrack. Wham-bam am-dram – surely a hiding to nothing if ever there was one? Yet with ‘Hot Fuzz’, as with ‘Shaun of the Dead’ before it, Edgar Wright and Simon Pegg show that a Hollywood genre aesthetic can be grafted onto the preposterously inappropriate fabric of banal English life with surprising success – as long as you take it seriously.Pegg plays Nicholas Angel, a high-achieving London sergeant dispatched to the West Country because he’s showing up his fellow Met officers. Greeted reasonably warmly, especially by town drunk and fellow copper Danny (Nick Frost), he makes some stiff steps towards finding a place in the tight-knit community. But, compulsively alert as he is, Angel starts to wonder if there’s more to a series of ‘accidental’ local deaths than meets the eye…

Though Wright and Pegg’s latest is stocked with as many film and TV references as ‘Spaced’ and ‘Shaun…’, it mines most of its plentiful laughs from the collision of Angel’s uptight uprightness with the lackadaisical village ways of Sandford, a genteel backwater of quintessentially English naffness that suddenly becomes the backdrop for a crescendo of disarmingly credible chase and shoot-out set-pieces. It’s Pegg’s stonily straight-faced performance – amid an almost distractingly high-calibre cast of comedy stalwarts (Bill Bailey, Olivia Colman, Adam Buxton) and legit luminaries (Jim Broadbent, Billie Whitelaw, Timothy Dalton as a moustache-twirling supermarket manager) – that holds things together, and also reflects the film’s essentially respectful attitude towards the action movie. ‘Hot Fuzz’ isn’t a spoof or parody: its jokes aren’t at the expense of genre expectations, but its characters’ failure to live up to them; correspondingly, the editing is sincerely frenetic and the violence, though sometimes ridiculous, is strong and bloody. It’s not a perfect template – running motifs are glaringly flagged up and there are at least two too many climaxes – but for both gags and thrills, few current British filmmakers come close. The Sandford Players can eat their hearts out.

Author: Ben Walters 2007-02-13 11:15:15

Time Out London Issue 1904: February 14-20 2007


  • Print this page
  • Send to a friend

User reviews of this film

  • DUDE said...
    Posted on Jan 03 2009 21:27 It was soo violent!!!!
    Report as inappropriate
  • Leona Luk said...
    Posted on Jul 29 2007 18:30 This film explodes into glorious excess, as so many cop films have done before - the difference here being the quaint British village as backdrop, and the absolutely intended hilarity of it all. Fantastic casting and fabulous writing brings everything together here.
    If I felt that the start was a little slow, the second half of the film proved it all worthwhile. This is a great film from guys who obviously know their stuff, as every joke hits the intended spot.
    Report as inappropriate
  • Jen said...
    Posted on Jun 27 2007 17:37 Extremely well made and hilarious - went straight into my top ten fave movies!
    Report as inappropriate

What do you think?
Post your review now

clear rating
Min 1 star. Zero stars will be treated as unrated.

*mandatory fields





Top Stories

Time Out's 101 Films of the Decade

Time Out's 101 Films of the Decade

Ten years, thousands of movies and millions of dollars in international box office, and it all boils down to this

Martin Provost discusses 'Séraphine'

Martin Provost discusses 'Séraphine'

Trevor Johnston talks to the director of 'Séraphine' about bringing a little known French painter back to life

Our verdict on Peter Jackson's The Lovely Bones

Our verdict on Peter Jackson's The Lovely Bones

Peter Jackson ends a triumphant decade with a sentimental misfire with this lush Alice Sebold adaptation

On the set of Ken Loach's 'Route Irish'

On the set of Ken Loach's 'Route Irish'

Dave Calhoun meets Ken Loach on the set of his forthcoming Iraq war movie

Stephen Poliakoff discusses 'Glorious 39'

Stephen Poliakoff discusses 'Glorious 39'

Stephen Poliakoff’s ‘Glorious 39’ is his first film for cinema since ‘Food of Love’ in 1997. Dave Calhoun met him

Is 'Paranormal Activity' the new 'Blair Witch'?

Is 'Paranormal Activity' the new 'Blair Witch'?

How does a film go from DIY experiment to box-office smash? 'Paranormal Activity' director Oren Peli explains

Steven Soderbergh on 'The Informant!' and 'The Girlfriend Experience'

Steven Soderbergh on 'The Informant!' and 'The Girlfriend Experience'

We talk to Steven Soderbergh about his two forthcoming films: one featuring a porn star, the other a chubby Matt Damon

A gateway to all things 'New Moon'

A gateway to all things 'New Moon'

In anticipation of 'The Twilight Saga: New Moon', Time Out is offering the chance to pick up a limited edition pack with three exclusive magazines and a free poster.

The films that deserve a TV spin-off

The films that deserve a TV spin-off

With Roland Emmerich suggesting he'd like to make a '2012' TV spin-off, we propose some more movie-to-TV serialisations

Time Out's 50 greatest animated films with commentary by Terry Gilliam

Time Out's 50 greatest animated films with commentary by Terry Gilliam

In celebration of the release of Pixar's 'Up' and Wes Anderson's 'Fantastic Mr Fox', read our rundown of fifty classic feature length animations