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It's Winter (2006)

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From Time Out London

Kicking off with memorably beautiful music and images, this third fiction feature from Rafi Pitts – a London-educated Iranian whose previous film was a documentary on Abel Ferrara – is a stylish, confident fable that at first comes across a little like a reworking of ‘The Postman Always Rings Twice’. After a man recently made jobless takes a train to seek work abroad, his attractive young wife (Mitra Hadjar), daughter and mother are left to fend for themselves in their small home on the edge of town. Months pass with no news of the husband; understandably, doubts arise as to whether he’s even still alive, and life gets harder. Meanwhile, a handsome but feckless mechanic (Ali Nicksolat) who’s new to town notices the woman now rumoured to be a widow, and starts hanging around in the hope of catching her attention…

The crucial difference here from the James M Cain story is that Pitts never plays this situation for suspense, other than how the heroine will respond to her suitor’s advances. Still, the film is as specifically aligned to its setting as Cain’s novel was to southern California, and it reflects on how poverty, unemployment and the need to seek work elsewhere affect Iranian families. That, however, makes it all sound too analytically political, for it’s a determinedly lyrical meditation on how economic factors and loneliness may influence both social and sexual relationships. Happily, sturdy performances all round ensure the film feels real rather than merely ‘poetic’, and even though it doesn’t pack a particularly strong punch in emotional terms, it’s an impressively intelligent piece of work, and well worth catching.

Author: Geoff Andrew

Time Out London Issue 1895: December 13-20 2006

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Please keep throiwng thes said...

Posted on Jan 21 2012 02:12 Please keep throiwng these posts up they help tons.

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Technoguy said...

Posted on Feb 21 2008 01:17 Bleak,real landscapes,in a wintry setting.Not a Tehran of hype or rhetoric.This is a dirty, working class downbeat area.The men in this landscape of desolation are interchangeable and their fates somewhat similar.One comes and one goes.Both are after work and a new life.Although there is no happiness here: this is alife totally consumed by work,the need for work,the way men define their manhood through work.This film was made for Iranians as much as for outsiders.To show them their own lives. It has a mystery,no meaning is imposed,the viewer is free to come to their own conclusions.The attractive young wife left behind by one man is courted and married by another.No kissing is shown or the holding of hands(not allowed),just a spirited conversation and smile of deeply shy people.Like the red slap of winter on the sky's face.This has no stereotype images.The train is the only way out of there.One thing noticeable was we never really explore the young woman's feelings.Yet the actress who plays her has some celebrity as an actress.The men are all non actors,all work really as mechanics.A strange dichotomy.

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