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Notes on a Scandal (2006)

Director: Richard Eyre

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1 review

Synopsis

An account of the fractious relationship between two teachers at a secondary school in London.

Movie review

From Time Out London

The original title of Zoe Heller’s 2003 novel asked, ‘What Was She Thinking?’, referring to Sheba Hart, a new instructor at a rough London comprehensive school who tumbles disastrously into an affair with a teenage pupil. As becomes clear in Richard Eyre’s screen version, however, the question might also apply to the story’s acrid narrator, Barbara Covett, the battle-axe veteran teacher who becomes Sheba’s confidante and nemesis: the deeper the film journeys through Barbara’s own words and thoughts, the stranger and more damaged she appears. Barbara (Judi Dench) is sinking into desiccated spinster solitude when Sheba (Cate Blanchett) alights on campus dewy and open as a flower, and Barbara catches the scent. She plays emotional nursemaid to the conflicted younger woman but, in her journal, skewers this frivolous product of ‘bourgeois bohemia’ with all the attentive scorn of a spurned lover. (Those surnames are instructive: Barbara longs for exactly what she derides; Sheba has a heart, but if she only had a brain.) The discovery of Sheba’s indiscretions grants Barbara permanent possession of her prize rose, or so she thinks… Spurred on too insistently by Philip Glass’s usual programme of anxious orchestral undulations, ‘Notes on a Scandal’ is a melodrama with easily forecasted stages. Its pleasures, therefore, are all in the execution: an arsenal of zingers (‘Closer’ scribe Patrick Marber adapted Heller’s novel), Chris Menges’ autumnal cinematography, and, of course, the acting. Bill Nighy is stunning in the small but pivotal role of Sheba’s devastated husband, and Dench locates the desperate pathos in Barbara’s malevolence. Blanchett’s performances flirt with camp, a larger-than-life tendency that’s perfectly suited to Sheba in her many guises: the beautiful cartoon of naïve privilege that Barbara sees, the tabloid fodder that the public denounces, and the lost woman wandering into middle age in a fugue of lust and denial, unknowable to her family or herself.

Author: Jessica Winter 2007-01-30 19:50:55

Time Out London

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User reviews of this film

Technoguy said...

Posted on Jan 10 2008 16:06 This film did do justice to the book by casting such good actors but did not even begin to capture the really excellently depicted narrative and writing. Dench was so strong in her part she somewhat skewed and unbalanced the film's dynamics so that Sheba Hart the art teacher and Connolly the boy she has an affair with who are at the dead centre of the novel get marginalised and pushed sideways.I thought that Blanchet as good as she is does not really capture the part and comes across a liitle lacklustre. Andrew Simpson as Connolly does not for one minute make you believe he could seduce an adult woman. There's also some sense of programmed automatism in the way the story is played out.So althiugh I liked it,it was not the book I read.

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