Film

What's on at the cinema plus reviews of the latest movie and DVD releases

Search cinema listings

Browse cinemas A-Z

Search 20,000 reviews

 

The Illusionist (2006)

Director: Neil Burger

Average user rating
1 review

Synopsis

The story of the battle between a mysterious stage magician and a determined and principled policeman.

Movie review

From Time Out London

A good magician never explains his tricks, a lesson Neil Burger’s beautifully realised film gives the impression of respecting extremely well, wringing involving drama from its protagonist’s and its own mysterious sleights of hand. Turn-of-the-last-century Vienna, and stage magician Eisenheim (Edward Norton) is performing illusions so astonishing there are rumours he has supernatural powers. Unconvinced, Crown Prince Leopold (Rufus Sewell) assigns Chief Inspector Uhl (Paul Giamatti), to investigate his secrets. Unknown to all, though, the illusionist’s teenage sweetheart, Duchess Sophie von Teschen (Jessica Biel), is the Prince’s ‘intended’ and after she’s ordered to assist Eisenheim onstage, old feelings resurface to ignite a dangerous rivalry.

Like Burger’s 2002 debut, ‘Interview with the Assassin’, ‘The Illusionist’ inhabits a world flickering between reality and illusion; as we follow Uhl’s investigations, we’re kept guessing about whether Eisenheim is the performer of merely unbelievably good tricks or genuine supernatural acts. In its fin de siècle setting, it also flickers between two ages: while the love triangle between lowly hero, fair duchess and evil prince looks back to ancient fairytales, its evocations of cinema’s infancy – sepia palette, iris shots and, in one scene, an early film projector – point to the media-saturated future which, as Eisenheim’s apparent raising of the dead begins to undermine the Prince’s authority, provokes interesting questions about the way illusions consolidate leaders’ powers today. With exquisite performances (Giamatti’s, in particular), it leaves you thrillingly hovering, happily uncommitted to any one interpretation – right until the end, that is, where Uhl seems to figure it all out in a clever-clever turnaround you’d thought the film was above. Or does he? It’s only his explanation, after all.

Author: Nick Funnell 2007-02-27 11:57:04

Time Out London Issue 1906: February 28-March 7 2007


  • Print this page
  • Send to a friend

User reviews of this film

What do you think?
Post your review now

clear rating
Min 1 star. Zero stars will be treated as unrated.

*mandatory fields





Top Stories

Stephen Poliakoff discusses 'Glorious 39'

Stephen Poliakoff discusses 'Glorious 39'

Stephen Poliakoff’s ‘Glorious 39’ is his first film for cinema since ‘Food of Love’ in 1997. Dave Calhoun met him

Is 'Paranormal Activity' the new 'Blair Witch'?

Is 'Paranormal Activity' the new 'Blair Witch'?

How does a film go from DIY experiment to box-office smash? 'Paranormal Activity' director Oren Peli explains

Steven Soderbergh on 'The Informant!' and 'The Girlfriend Experience'

Steven Soderbergh on 'The Informant!' and 'The Girlfriend Experience'

We talk to Steven Soderbergh about his two forthcoming films: one featuring a porn star, the other a chubby Matt Damon

A gateway to all things 'New Moon'

A gateway to all things 'New Moon'

In anticipation of 'The Twilight Saga: New Moon', Time Out is offering the chance to pick up a limited edition pack with three exclusive magazines and a free poster.

London Children's Film Festival

London Children's Film Festival

Read our exclusive reviews of films playing at the 2009 London Children’s Film Festival

The films that deserve a TV spin-off

The films that deserve a TV spin-off

With Roland Emmerich suggesting he'd like to make a '2012' TV spin-off, we propose some more movie-to-TV serialisations

The Coen brothers discuss 'A Serious Man'

The Coen brothers discuss 'A Serious Man'

Masters of contrary comedy, Joel and Ethan Coen have struck gold again with their latest, ‘A Serious Man’

Michael Haneke discusses 'The White Ribbon'

Michael Haneke discusses 'The White Ribbon'

Dave Calhoun met with Michael Haneke in Munich to mull over the details of his Palme d'Or winner, 'The White Ribbon'

Ten inspirations behind 'Avatar'?

Ten inspirations behind 'Avatar'?

Time Out ponders the influences behind James Cameron's anticipated space-opera on the basis of the trailer

Time Out's 50 greatest animated films with commentary by Terry Gilliam

Time Out's 50 greatest animated films with commentary by Terry Gilliam

In celebration of the release of Pixar's 'Up' and Wes Anderson's 'Fantastic Mr Fox', read our rundown of fifty classic feature length animations