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The Baader-Meinhof Complex (2008)

Director: Uli Edel

Time Out rating

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6 reviews

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From Time Out London

Strange to say, for a movie pitched as an extended historical action-adventure, director Uli Edel’s equally fascinating and frustrating portrait of the formation, terrorist activities and imprisonment of the later-named Red Army Faction (RAF) from 1967 to 1977 may be too subtle for its own good.

Based on Stefan Aust’s non-fiction bestseller and prefaced with the ever suspicious claim ‘a true story’, his film opens on the exclusive, partly nudist, Baltic holiday island of Sylt in June 1967, as Janis Joplin plays on the soundtrack and we see the German journalist and mother Ulrike Meinhof (Martina Gedeck) observe the regimented ‘freedoms’ of the late ’60s privileged bourgeoisie. Meinhof is one of three main characters on which the film rovingly concentrates – many are seen, few are identified – alongside criminally enthusiastic RAF co-founder Andreas Baader (Moritz Bleibtreu) and his anti-authoritarian, pastor’s-daughter girlfriend, Gudrun Ensslin (Johanna Wokalek).

But it is Meinhof’s unpredictable conversion from radical writer to full-blown ‘revolutionary’ which is at the heart of this episodic film’s essential mystery. She aids a bold rescue mission to spring the imprisoned Baader, takes an increasingly important role in the faction’s tactics and organisation, even abandoning her children to a Palestinian camp, before cracking up in Stammheim prison.

One of the most expensive recent German films, ‘The Baader Meinhof Complex’ has a good pedigree among its makers. Its eclectic producer and writer, Bernd Eichinger, was responsible not only for ‘Downfall’ but also one of the seminal cinematic inquiries into the Nazi heritage with Hans-Jürgen Syberberg’s ‘Hitler: A Film from Germany’. Edel, with films including ‘Last Exit to Brooklyn’, has shown a creative taste for Hollywood-style spectacle and a bold, often savage, insight into the workings of murky and violent human passions.

Cultural and dramatic competence is in evidence here, but this is a film more intent to show rather than understand. It’s also more content to present an admittedly compelling and relevant ‘factual’ history but loath to offer any profound social, political or psychological analysis of its protagonists. As such, this is a film that’s bound to disappoint and bemuse as much as it intrigues.

The reconstructions are impressive, notably the violent response of supporters of the Shah of Iran and riot police to a Berlin demonstration which, legend has it, concentrated the mind of the left and provided the foundations for the Baader-Meinhof gang’s support. Also remarkable are the evocations of the ideas, conflicts and contradictions of the time.

At two and a half hours, it’s a risky, if laudable, strategy to outline a decade-long chronicle of events – arson attacks, bank raids, assassinations and kidnappings – without adopting, or privileging, a fully developed character with whom the audience can relate to or identify. As an action-packed pageant of events it is excitingly demonstrative and provocative, but as human drama it proves a mite too enigmatic and unyielding.

Author: Wally Hammond 2008-11-11 13:45:37

Time Out London Issue 1995, 13-19 November, 2008

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User reviews of this film

Hoi Poloi said...

Posted on Oct 06 2009 10:57 Two hours and twenty minutes of the Bader Meinhof Brats sprouting their incomprehensible revolutionary rhetoric and punctuated by scenes of gun fights and explosions. Director Edel totally fails to involve the viewer.

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Lanark said...

Posted on Dec 01 2008 13:16 Who knew that terrorists were so sexy?

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German Alex said...

Posted on Nov 28 2008 18:52 This movie is definitely worth watching, if only to see a compelling view of an earlier phase of international terrorism. I would concede that the episodes featurng the run-up to the deaths in prison felt slightly lengthy when compared to your average Hollywood movie, but that should not put off aficionados of Channel 4 classics.
These days it is difficult to comprehend how political activists could get so worked up about wars that their government was not even involved in.
The movie could not satisfy any attempt of understanding how an established and admired journalist like Ulrike Meinhof could fall under the spell of an intellectually limited character like Andreas Baader. She must have understood that their campain of arbitrary killings was both cruel and pointless.

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Madison said...

Posted on Nov 24 2008 18:14 really interesting, thought provoking, suspenseful thriller. the final scene was particularly good conclusion that summed up how ultimately all terrorism is inhumane.

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critique said...

Posted on Nov 17 2008 20:39 Efficient, detached account of an incendiary segment of 20th century history.

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PERFECT DAY said...

Posted on Nov 14 2008 21:47 Wally Hammond suggests that this film is too subtle. I totally disagree and would go as far as saying that this film hits you with the intensity of a sledgehammer. This is a rollicking yarn packed with dramatic scenes enough to stop your heart. The acting is great and the reconstruction of the period is stunning. If you like thought-provoking film-making this should be right up your street.

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