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The Bad Lieutenant: Port of Call New Orleans (2009)

Director: Werner Herzog

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32 reviews

Movie review

From Time Out London

The first question to ask about Werner Herzog’s jaw-dropping cops-on-crack epic is: why that title? Abel Ferrara’s 1992 ‘Bad Lieutenant’ may have made a moderate arthouse splash, largely thanks to Harvey Keitel’s literally balls-out performance, but it hardly screamed ‘franchise’. And while both movies feature drugged-up, sexually voracious cops investigating hideous crimes, in all other aspects these are two entirely separate films.

When we first meet Terence McDonagh (Nicolas Cage), he’s a fairly decent guy, risking his life to save a drowning man and suffering chronic back damage in the process, a pain which leads directly to his self-medicating downfall. And while the discovery of a murdered immigrant family may provide an opportunity for redemption which chimes with the earlier movie, Herzog and screenwriter William Finkelstein seem entirely indifferent to the ideas of Catholic guilt and salvation which Ferrara explored, just as McDonagh himself seems largely uninterested in solving the crime. This is a movie about morality, but only as far as it serves the crazed characterisation and breathless juggernaut plot.

And yet the hijacking of Ferrara’s title serves the film in unpredictable ways. First, it establishes the kind of seedy, neon-lit milieu in which Herzog’s film luxuriates, a devastated post-Katrina New Orleans where normality has been hopelessly compromised. And second, it makes the movie feel cheap and grubby, an unofficial sequel made without the consent of the original director, a true slice of down ’n’ dirty outsider trash.

And that’s exactly what this ‘Bad Lieutenant’ is: unashamed, all-American junk, a flashback to those great genre movies of the ’70s and ’80s which managed to entertain an audience, undermine society and score a few sly political points along the way. Cage’s performance is the engine that drives the film, degenerating from dedicated detective to hoarse, gibbering drug fiend in under two hours. And as he transforms, the movie goes with him, from straight cop drama to screamingly excessive operatic fantasy complete with wild experimental asides and thunderous, balletic violence.
 
There’s never been a movie quite like this before, and there almost certainly never will be again: following its abject failure in the US, it’s hard to imagine the studos hiring another manic German maverick to helm a cop thriller. But that’s exactly why the movie is unmissable: in fusing European experimentalism and Hollywood boldness, Herzog has created a genuine oddity, a furious and unforgettable hybrid which may well prove to be 2010’s most purely enjoyable moviegoing experience.

Author: Tom Huddleston

Time Out London Issus 2074: May 20-26, 2010


User reviews of this film

  • Technoguy said...
    Posted on Nov 28 2010 17:36 If evil was an opera it would look like this.In Nicholas Cage Herzog found somebody he could be mutually agitated with.You can project all madness onto Cage’s countenance.Throw in drugs,hell he’s already done alcohol,and you are away,throw in New Orleans with its wild convoluted otherness( post-Katrina) as far from East Coast WASP values and the Catholic guilt of the 1st Bad Lieutenant.Tell Herzog you have to call the film Bad Lieutenant if you want to make this film.He countered with ‘Port of Call’ as an add-on.Herzog threw in his iguanas and alligators,saw the film through their eyes-watch out they bite!
    Herzog has made his docu-films on the wilderness in the Antartic and the man who got eaten by bears.He was offered this American film and brought to it his obsessions and preoccupations.
    The character is called ‘bad’ so lets make him bad.He is dealing with outsiderdom of Cage and
    prostitute girlfriend,of the African family who get murdered.There is a mad glee in Cage’s pursuit of
    this case,his blatant disregard for rules,his girlfriend is a working prostitute,who smokes dope;
    Cage has sex with people he’s investigating on drugs offences;he smokes crack,sniffs cocaine;
    threatens old ladies with guns.How is it Cage does all this and yet keeps you engaged:is he a cartoon,is he riffing like a jazz musician?The film craclkes with a kind of alien energy and mad logic.Cage’s character came to drugs through presciption medication for his back don’t you know
    in rescuing a drowning man in a prison.this same man now redeemed with a job comes back and
    saves him and they sit infront of an aquarium where sharks are swimming.Is Cage Klaus Kinski 2?
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  • Tom said...
    Posted on Oct 25 2010 05:42 After directing operas and becoming old school to younger talents such as Tarantino, Werner Herzog sets about to make his own trashy B movie that aims to subvert its inspirations. Nicholas Cage is a cop with endless bad behaviors who finds redemption in the third act. A fun ride and far more enjoyable than many of the 1970's B-movies that inspired it. But it's character transformations are unbelievable even when tongue in cheek, as when the last few minutes see all his problems whisked away. Michael Haneke subverted the American crime film far more effectively in Funny Games and his own US remake, which might have been an inspiration to this loose redo of Bad Lieutenant.
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  • dobbs said...
    Posted on Jun 21 2010 00:41 I forgot to give star rating with my original comment (page 1) Interestingly Hertzog and Lynch are premiering a joint film in the Edinburgh Film Festival (annoyingly sold out immediately) which I can't wait to see. One more attribution is Chabrol, the crazy resolution from desperate exposure to heroic recognition in the space of one scene reminded me of many of chabrols ideas, and of La Rupture'. Now there was a film made on acid!
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  • scrumpyjack said...
    Posted on Jun 21 2010 00:20 watched it again (re 27/5) can now confirm 5 star. like The Big Lebowski, just keeps giving.
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  • HP said...
    Posted on Jun 19 2010 14:28 Watching someone play someone high on crack (cue long scenes of staring at an Iguana) is very tedious but not as tedious as a film like fear and loathing in las vegas. Just skip to the incredibly funny bit in the middle where he threatens a cantakerous old lady with his .44 magnum, and discard the rest.
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  • jock mcgillicuddy said...
    Posted on Jun 10 2010 11:46 giving this film 5 stars is a joke. its a confusing mess of a film, it just doesnt make sense. werner herzog should be ashamed of himself
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  • Sutton said...
    Posted on Jun 03 2010 13:34 Excellent film! I thought Nicolas Cage was superb, not often I’ve been able to say that - though he was good as Big Daddy in Kickass. The film has humour, pathos and keeps you entertained for the duration. It is quirky in places, e.g., the reptile scenes and it makes you think about it for quite a while afterwards – Herzog has done a great job with his direction. I reckon it will be one of my top 5 favourite films of this year. Almost 5 stars!?
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  • Dave SJ said...
    Posted on Jun 02 2010 17:59 Sorry, but California boy Nicholas Cage playing a tough NOLO cop on the edge is just about as believable as Kevin Costner in the title role of "Robin Hood". (Remember that one?) This film was OK, but I would have liked it a lot better with somebody like Jeff Bridges in the lead role (now THERE's a wild man), and also with some judicious paring-down of the WAY-out there story line. What is it with the diretors of gangster movies these days? Do they all think that if they clock in somewhere over 2 hours, they will have a contender for "Godfather" on their hands?
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  • Gatsby said...
    Posted on May 29 2010 19:40 Herzog has made a career of studies in obsession, and this film is no different. Despite the many seeming digressions in the plot, McDonagh is obsessed with jailing the murderer: even to the extent of planting evidence. Even Harry Callahan didn't go that far.
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  • cz said...
    Posted on May 29 2010 12:59 Great film. Dirty Harry meets reality and drugs. I genuinly feared and hoped for the characters. I disagree with people calling it crap. It doesn't deliver the usual Hollywood characters and moralisation. So what?!... This film goes much deeper. Go and watch it! Herzog & Morris rulez!
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  • scrumpyjack said...
    Posted on May 27 2010 22:29 Can't disagree with T.H. review, but Needs a re-watch to decide on 5*. Certain to be in years top 5, with lines as fine as "What the fuck are those Iguana's doing on my coffee table ?!" class.
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  • usman latif khawaja said...
    Posted on May 27 2010 15:37 there is enough tenderness here to makee you grind yor teeth as you gaze upon a totally corrupt police department which could be anywhere in contemporary america ,the screen itself hallucinates with the amount of hard core drugs being used by the cops criminals and the ordinary citizens ,as such new orleans itself becomes a drug junky in the act with the hazed camera swathed in drowsy images ,whether they are illusions of imaginary iguanas accompanied by hard rock ,or the insane and totally crazed countenance of Cage ,which herzog has availed to the full with his constant reminder that his character is so bad it is almost good ,just as the movie itself ,which despite a flawed script enchants you and yet if you ponder on the going ons ,they will make little sense in a logical manner ,
    i realised that herzog was just doing that as both a satire on contemporary america as well as humanity where no one is concerned with morality but if it accidentally is encountered and suits the motives than it is blatantly exploited by the protagonists .
    A special mention for eva mendes as she shines with cage as his drugged out ,prostitue girlfriend who is a matter of fact lover and a professional sex worker .
    the fact they also introdduced a nameless dog and a african under age kid in the script on ptretext of morality issues ,where the two only innocent bystanders look totally bewildered makes it as darkly humouresque as the lunatic antics of the bad lieutenant ,who virtually indulges in everything from open air crack smoking to harassing and torturing old women and virtually rape on gunpoint in public .
    all this cannot happen in reality but that it is staged here as a metaphorical optical illusion is both engaging and a behavioural study in human psycology ,but more so it is rather a good movie with a larger than life performance by cage who is compelling to watch and virtually transfixes your vision and suspends your logic for the time spent in the cinema -
    though great it is not but gratigying it definitely is in no uncertain terms .
    kudos to pressman for bringing cage and herzog together as everything else we have seen before except for that characteristic bizarre yet charming cop who can make us eat out of his hand as cage .
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  • Rory said...
    Posted on May 26 2010 23:58 Mr Mustard ! .... Name says it all.
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  • MrMustard said...
    Posted on May 26 2010 18:19 Er thanks Rory for your kind words. Was just trying to offer a few comments with some explanation and a bit of personal opinion. But yes, it's just a "glorious fun film", what with all the crack use, woman beating, child murder and rape.
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  • Rory said...
    Posted on May 26 2010 18:07 Laughed out loud! Great fun. Ignore Mr Mustard
    and his toss I'm in film wanna be coments!! Just enjoy
    a glorius fun film!!
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Cast & crew

Director: Werner Herzog

Cast: Nicolas Cage, Eva Mendes, Val Kilmer, Michael Shannon

Genre(s): Drama

Rated: 18

Duration: 122 mins

UK Release: May 21 2010
US Release: Sep 11 2009



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