The story being uncovered at the burial site of the first emperor of the Qin Dynasty, which was discovered by chance in 1974, is a clearly a seductive one: the British Museum had taken a record 105,000 advance bookings for this show as we went to press – but 500 tickets will be reserved each day for those who turn up on spec.
The sense of ongoing mystery plays a big part in the exhibition’s appeal. Only a tiny portion of the archaelogical site has been excavated and it will probably be generations before Qin Shi Huangdi’s actual tomb is explored. Visitors to the BM show will never know whether the inscription written 100 years after the emperor’s death describing how his burial chamber contained replicas of China’s rivers and seas fashioned from mercury so they appear to flow, and crossbows with arrows rigged and ready to shoot any intruder – is true (although scientists have discovered unusually high levels of mercury in the soil of the tomb mound).
Those who are most attracted by the idea of the 7,000 terracotta full-size terracotta warriors discovered in three pits might find the exhibition disappointing. Unlike previous shows devoted to the terracotta warriors, this one is less about sheer visual spectacle than the way that the ongoing excavations are increasing our knowledge of the emperor and his times in which he lived (he was born in 259 BC, 64years after the death of Alexander the Great and died in 210BC 109 years before the birth of Julius Caesar.
Alongside a small group of warriors (infantrymen, archers, officers and generals) are two terracotta musicians, an acrobat, a strongman and two civil officials. There are bronze water birds (three of the 46 discovered in what would have been a serene underground tableau). Disconcertingly, these ancient artefacts are indistinguishable from the tastefully-aged offerings available in upmarket twenty-first century garden centres. A half-scale bronze carriage embellished with gleaming silver and gold is pulled by four half-size terracotta horses.
There are numerous smaller artefacts, such as coins, weapons and vessels, and there’s a fair bit of reading to take in. The text brings the emperor to life, building a picture of a hugely gifted military and civil leader, a self-publicist who travelled to the margins of his vast kingdom to erect inscriptions on the mountains telling everyone how great he was. By the time you arrive at the figures that are the exhibitions centrepiece you’re well primed to appreciate the exhibition’s focus on detail over spectacle and to enjoy the individuality of the terracotta figures.
Although they were mass produced, the figures were hand finished with individual hairstyles, facial hair and clothes (recent research has revealed that soldiers then had no uniform and had to provide whatever kit they could afford).
The exhibition is in the museum’s spectacular Reading Room,the temporary transformation making it possible to stage an exhibition on a scale that the BM would otherwise have difficulty accommodating. The beautiful domed ceiling soaring above is a real plus, reducing the sense of claustrophobic that can accompany a dimly lit historical blockbuster .
Qin Shi Huangdi united the area’s waring states and having unified the country that would become China, believed himself divinely destined to rule it, and the rest of the universe, for ever. It’s a concept that seems extraordinary to us, now but in one way the first emperor’s influence does endure: for us, 2,000 years later his determination to have his earthly kingdom reproduced for his use after death opens a window on another world.
Please could you tell me how I can buy one concession ticket on line, and whether there are definite time slots for the mornings and afternoons for early April weekdays.
I remember visiting an exhibition of the terracotta warriors in London about 20 years ago, but can't recall where it was held. Can someone jog my memory?
4 comments
Please could you tell me how I can buy one concession ticket on line, and whether there are definite time slots for the mornings and afternoons for early April weekdays.
Thanks Mark.
Rob.
It was at the Royal Horticultural Society Halls in Pimlico as I recall.
I remember visiting an exhibition of the terracotta warriors in London about 20 years ago, but can't recall where it was held. Can someone jog my memory?