The collaborations that are fun for musicians AND fans
We take a look at Japan Centre's shiny new site over on Regent Street, featuring all manner of foodie delights.
We explore why restaurants are reluctant to let punters bring their own booze - and reveal the ones that allow it.
Our guide to the new market in the City, featuring artisan bakers, cheesemakers and fishmongers.
There's some particularly experimental and enigmatic shows opening on the fringe this week.
Performances and backstage interviews from the gig
'Past Future Split Attention', 1972
Can you compact 40 years of exploration into intersubjectivity, architecture's inscribing of power relations, and New Age philosophy into 23 works? The Lisson are having a go. Dan Graham, of course, is fairly unimpeachable: yes, the scale models for his 'pavilions', with their unpredictable play of reflection arising from two-way mirrored glass, are always faintly disappointing - signposts to the absent, site-specific real thing. But Graham's anticipation within visual art of a society of observers and observed was hugely prescient and remains influential. (MH)
One of London's pioneering contemporary galleries, Lisson was set up in 1967 by art dealer Nicholas Logsdail. The gallery's stated aim across the...
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