Out goes the deft if slightly sterile formality of Wolfgang Tillmans’s last show here, with its painterly abstract photographs downstairs and quasi-museological display of photos and...
It could be the death of art as we know it. Two shows currently on at two of the most important commercial galleries in London represent emphatic end points for the traditional art practices of...
This is an elegant, spare exhibition of sculptural and manipulated found objects that carefully toe the line between mute minimalism and rich historical association. Unstretched canvas slathered in...
Haim Steinbach’s signature approach – elegantly arranging consumer goods on wedge-shaped, Donald Judd-like shelves, making them desirable and querulous of desire – remains one of...
Holiday snaps of a very different kind are at the centre of Basu and Bryan’s collaborative project consisting of a looped carousel slide show accompanied by a wailing, repetitive soundtrack....
As a hybrid of book publishing imprint and gallery, Trolley doesn’t do a bad job. While the meat of the business is the books, and Trolley has won numerous awards for its mainly photography...
It could be the death of art as we know it. Two shows currently on at two of the most important commercial galleries in London represent emphatic end points for the traditional art practices of...
It’s hard to imagine a more belligerent statement of the post-minimalist ethos than ‘Dis-Play’, by American artist Keith Sonnier. Originally made in 1970, it features typical...
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