• Meet the orchestra: harpist Sioned Williams

  • By Time Out editors

  • Sioned Williams is principal harpist for the BBC Symphony Orchestra

    Meet the orchestra: harpist Sioned Williams

    Sioned Williams

  • Summarise your instrument
    ‘The harp is like a full orchestra in itself, capable of irresistible sounds and textures.’

    Best thing about it?
    ‘It is able to carry a concert on its own, like a grand piano.’

    Worst thing about it?

    ‘It takes so much time to tune and retune that harpists usually miss taking breaks during concerts and rehearsals.’

    How often do you practise?
    ‘A lot. If I’m learning a new piece, I might stay up all night if necessary.’
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    Why did you choose the harp?
    ‘I’m Welsh; folk music was all around me when I was growing up.’

    Do you ever wish you played another instrument?

    ‘Never.’

    Where do you sit in the orchestra?
    ‘It depends on the music, but normally raised up behind the first violins.’

    What can you hear where you sit?
    ‘Usually, horns and keyboards.’

    How much is your instrument worth?
    ‘About £40,000. But I need two: one for practising and one for performance.’

    What are your favourite pieces to play on the harp?
    ‘Mahler symphonies, Tippett and Boulez.’

    When are you playing next in London?
    ‘On March 8 at the Barbican.’

    Tell us a joke about harpists?
    ‘Sorry, I’m hopeless at jokes.’

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