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  • Why SW4 festival beats clubbing in Ibiza

  • By Dave Swindells

  • South West Four in August is a great chance to experience the best sounds of the summer without paying Ibiza rates

    Why SW4 festival beats clubbing in Ibiza

    Raving in the sunshine, SW4 style

  • There’s a simple reason why South West Four sells out in advance every year and it’s not because the sun always shines on Clapham Common over the August bank holiday. Blue skies are a bonus, but the most popular DJs in the world playing in the heart of London explains why 20,000 people book early. ‘For me this festival is like coming home,’ says Carl Cox, who headlines the main stage as he did two years ago when even a torrential downpour failed to dampen the raving enthusiasm. ‘I’m really fortunate to have grown up in south London, so when I play at SW4 I get a lot of my old school-mates coming down, and even my sisters and nieces come to see what I do.’

    What he does is get the crowd going, but with Subliminal’s Erick Morillo, John Digweed of Bedrock, Fedde Le Grand and New York turntable legend Danny Tenaglia alongside Layo & Bushwacka and Paulo Mojo on the outdoor stage, it’s likely that they’ll be going pretty well by the time Cox takes to the decks. Feature continues

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    Originally purely a trance and hard house affair, South West Four (SW4), which parties in association with Time Out this year, now also embraces minimal techno and maximal electro as well as deep and twisted house. On the trance-led tip The Gallery and Heat UK Arena will pack in DJ Magazine’s number one DJ Armin Van Buuren with fellow Dutch master Sander van Doorn, Germany’s Markus Schulz and London’s own Sister Bliss. Amazingly, the Faithless star and original Gallery DJ is an ‘SW4 virgin’, but she’ll be back at The Gallery on August 1 for her first set at The Ministry since she played the finale night at Turnmills.

    ‘They’re probably the friendliest crowd in London,’ says Bliss, ‘so I can’t wait.’ She and Faithless production partner Rollo took ten weeks out in Los Angeles to focus on writing new music. ‘I want Faithless to return to the dancefloor stronger than ever and I’m sure we’ve got the tunes to do it,’ she says. ‘I’ll be road-testing some of them at The Gallery and maybe at SW4…’

    Most of the tunes played at SW4 will already be track-proven in Ibiza, where about half of the SW4 headline DJs have summer residencies. That makes it a great opportunity to experience the best of the White Isle’s deck stars without having to fork out wallet-bashing Balearic prices. Imagine paying €55 (£44) admission, €12 (£9.50) for a beer and €15-€20 (£12-£16) for a vodka limon and you can see why some London promoters were less than impressed by their ‘ridiculously overcrowded’ experience at Cocoon at Amnesia.

    Mind you, Sven Väth was joined by Ritchie Hawtin and Ricardo Villalobos that night, and Paul Stix, who hosts The Gallery, reckoned that it was the best crowd reaction he’d ever experienced in a club – until he left at 5am because it was so darned busy. Cocoon is the most consistently successful night on the island, and DJ-host Väth will also play at SW4’s Fire Arena, where he and New York’s Body & Soul mixmaster Francois K, the ace Tiefschwarz duo and Green Velvet will journey deep into techno. One thing is certain; there’s more than enough space to dance on Clapham Common…

    Still, lovely beaches, warm seas and so much eye candy that you could get sick of the sight of perfectly toned and tanned flesh (yeah, right) do compensate for those kerrayzee Ibiza prices, and although the clampdown on club times and after-parties like DC10 has contributed to a patchy start to the season, it’s also meant clubbers now go out earlier. ‘Our first night was completely sold out,’ says Sister Bliss of her monthly set at Pure Pacha (she says ‘we’ because Faithless’s Maxi Jazz DJs in Pacha’s Global Room), before making the analogy that just as the Balearic spirit is fired up by so many carefree holiday-makers, so SW4 being on a bank holiday weekend relaxes Londoners who know they’ve got Monday off work, so ‘it’ll be like a giant party in our own back yard’.

    ‘People love the freeness, the unconfinement of being outdoors and feeling the elements,’ adds Cox. ‘I love playing at Space but there’s often a haze of lights and smoke and lasers so I can’t even see the dancers. At SW4 the crowd can see me smile and I can see them smile; there’s a great connection there.’

    South West Four is on August 23. Find out more, win or buy tickets here. Sister Bliss plays Pure Pacha on July 25 and The Gallery at Ministry of Sound on August 1. Her ‘Sister Bliss presents Night Moves’ compilation is out now.

  • Add your comment to this feature

3 comments

  1. Posted by J on 31 Aug 2010 13:23

    Loads of fun at the festival but having to pay £5 for a program when we're in there is just plain greedy. Surely the repectable thing to do would be to allow visitors the chance to download and print out their own program rather than keeping th DJ times and line-ups secret. We've already paid enough for our tickets and forcing us to pay more to know when the artists are playing is a joke and leaves a sour taste in the mouth.

  2. Posted by stephen moss on 30 Aug 2009 12:52

    Excellent fun, and a vast range of DJ's... Brilliant crowd. BUT, organisors, sort out the bar situation!! What a mess! Take a leaf out of the Lovebox organisors book... What I can only describe as a shambles A mass of people trying to get a drink. 30 mins to get to the bar, then turning around and trying to make it through the 100's squashing you, only to come out the other side with 1/2 of what you started fromt the bar! Sort it out guys....

  3. Posted by Karl on 29 Jul 2008 09:59

    Carl Cox is an amazing dj, always has and always will be. But for him or anyone to suggest that SW4 is better than Ibiza is ridiculous. There is no comparison as they are completely different in every way apart from the music. Besides, the main stage at SW4 always suffers from sound restrictions and the smaller arenas always close before the main stage. The bar prices are typical of London pricing and the £45 + fees ticket price increases year on year and far too much for a day out in the common. The Exit festival in Serbia is £75 for four days!
    Despite all of this, I'm still going (the line-up has vastly improved this year), but there is also nothing else to do and I don't fancy travelling up north to Creamfields, would you?

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