There is something quite unique about this film. It runs the whole length of one and a half hours of a narrator’s dialogue, summed up by one line that rolls out on a puff of green genius: ‘I want to want to do something’. This is script writing you don’t get to hear unless a dedicated bunch of creators get together behind a force and his idea. Can you tell that I enjoyed this film?
Interview: Cosmo Jarvis on 'The Naughty Room'
The musician and filmmaker tells Gabriel Tate about his touching, funny micro-budget feature debut
When filmmaker and singer-songwriter Cosmo Jarvis heard his work described by Brian Eno as ‘a turning point in popular culture’ on R4’s ‘Today’, he reacted with commendable sang froid. ‘I’m astounded he said that and it’s very nice of him, but you can’t have your head turned by that stuff.’ Jarvis is Eno’s kind of artist: restless. idiosyncratic and versatile, a man who has operated on the fringes of the mainstream for quite a while. The highlight of the 22-year-old’s prodigous musical output – three albums and over 400 songs to date – has been his catchy plea for tolerance, ‘Gay Pirates’, a YouTube smash championed by Stephen Fry but banned by R1 playlist for using the phrase ‘gang rape’. But his first feature, which he wrote, cast, directed, shot, edited and scored, could just be his ticket to the big time.
‘The Naughty Room’ is a beautifully judged balance of foul-mouthed whimsy and genuine tragedy, telling the tale of a 20-year-old slacker (David Egan) living with his mum and lost in a fug of partying and drugs years after the death of his father. A discarded wank-sock brings him into contact with a neighbour he never knew he had: Todd (Jarvis, again!), for years kept indoors by his mother for an indiscretion only revealed later in the film. Over time the pair’s bond deepens and redemption beckons. It’s a strikingly individual vision, a little naive (the narratives dovetail a touch too conveniently, and the voiceover is overused), but beguilingly put together and performed by an amateur cast and crew, all on a budget of only £8,000.
‘Things didn’t got to plan at all and the learning curve was huge,’ says Jarvis. ‘I asked my grandma if we could film in her place, so she fucked off to her bedroom while the crew shot in her flat. It was just asking for favours and taking shortcuts, really. The hardest part was finding two women [to play the mothers]: one was a friend’s mother who’d done a drama course, so she filmed on weekends. The other had just done pantomimes. But I didn’t need De Niro, just people who could make it feel real.’
His achievement is all the more impressive for the amount of trust required, both from the actors in a rookie director and from Jarvis in allowing them the space to handle such personal material.
Jarvis’s parents separated acrimoniously when he was nine, and ‘The Naughty Room’ deals explicitly with issues of communication, grief and parenting. ‘The take on relationships between parents and children is something I wouldn’t have arrived at without my upbringing,’ he agrees. ‘Everything I do draws on that to some extent. Everyone starts to see their parents more as human beings with flaws as they get older, it’s just that I found out early on. Sometimes you have to sever these emotional bonds, just as you have to find something good in something you may have written off.’
It’s hard to imagine Jarvis being written off after this airs. His next film, about a metal band, is on to its second draft. He’s hoping for more funding and will surely get it. If he’s concerned that more money might see the dilution of this unique new voice in British filmmaking, Jarvis isn’t showing it: ‘I’ll make it even if i’ve only got a hundred quid.’
‘The Naughty Room’, Monday August 20, 10pm, BBC4
it's a shock, almost, to see a film which is so upretentious, real, interesting, funny and sad. I'm amazed it was made for so little.
A story entertainingly told and performed. The voice-over had it just right - providing the underscoring to a wasted (in both senses) life beginning to find out that there is something worthwhile that can be done. All amateur cast performing brilliantly and delivering a highly watch-able and enjoyable film to a budget of £8,000. Funny, sad, confusing and endearing with a "happy" ending - full of excellent cameos and a laugh from beginning to end (excluding suicide, child abuse, bad language!). Recommended viewing and a fantastic first film.
The naughty room is one of those films that drags you in, a real great watch. The despair of youth as he tries to make the leap from nest to life a mix between train spotting and the inbetweeners you'll laugh your ass off.
Just watched the film and loved its quirky and funny take on angst,parents and getting proper toasted to avoid thinking about the future.10 out of 10
Brilliant, how refreshing to have something worth watching on the box. loved subaru. Poingant, funny,tragic, real, insightful,genius. Can'wait for his next, keep it low budget
I only saw it from half-way though and got caught...must see the rest. Who is this bloke Jarvis? Have to find out...