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The Time Out editors have all picked their favourite events and moments of 2011. See if you agree with them.
The singer, rapper and now film director discusses his debut film 'Ill Manors'
Dave Calhoun draws the curtain on the world's greatest film festival
The Hungarian auteur tells Time Out why he's quitting
We explore the fortunes of the past decade’s Palme d'Or winners
Director Ridley Scott tells Cath Clarke why he's making a science fiction comeback
Cath Clarke rounds up this summer's crop of outdoor film screenings
Ken Loach talks to us about his Cannes Film Festival entry 'The Angels' Share'
There was little consensus about the year’s best films, but when it came to end-of-year stocktaking, two American works grabbed the limelight: Terrence Malick’s ‘The Tree of Life’ and Kenneth Lonergan’s ‘Margaret’. 2011 was also a strong year for British cinema, and our critics honour homegrown films as diverse as ‘Tinker Tailor Soldier Spy’, ‘Senna’, ‘Kill List’ and ‘We Need to Talk about Kevin’. It was also a big year for the European titans, with new films from Pedro Almodóvar (‘The Skin I Live In’), Wim Wenders (‘Pina’) and Lars von Trier (‘Melancholia’). Elsewhere, some of us were enraptured by a quiet Italian movie about goats (‘Le Quattro Volte’), while others loved a tender tribute to silent cinema (‘The Artist’).
All of Time Out's film critics have chosen their favourite five films and one turkey. See all the lists below:
Dave Calhoun l David Jenkins l Tom Huddleston l Derek Adams l Geoff Andrew l Cath Clarke l Nigel Floyd l Trever Johnston l Anna Smith l Anil Sinanan
Maybe it’s risen to the top because I saw it this month – but Kenneth Lonergan’s long-awaited character study of a New York teen (a superb Anna Paquin) in crisis is an exemplary study in trauma and the most interesting film I’ve seen so far about America in the wake of 9/11.
In an era when audiences are happy to watch theatre, dance and opera beamed live into cinemas, Wim Wenders’s documentary about German dance pioneer Pina Bausch showed how performance can be taken out of theatres and represented on film with true love and imagination.
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Not only was it exciting to have Lynne Ramsay’s ideas back on the big screen after too many years away, but this British filmmaker’s adaptation of Lionel Shriver’s book – bold, scary, uncomfortable – made the wait worthwhile.
Pedro Almodóvar turned Thierry Jonquet’s mildly interesting novel ‘Tarantula’ into a stylish and irresistably creepy exploration of many of his recurring themes: mother-son relationships, masks, sexual identity and power. It was pleasing, too, to see him welcoming Antonio Banderas back into his gang.
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It took a Swedish director, Tomas Alfredson, to take the Brit-lit thriller somewhere interesting, as this adaptation succeeded in retaining many of the nuances of John Le Carré’s novel, often with just a nod here and a wink there. Gary Oldman offered a parallel Smiley to savour alongside the memory of Alec Guinness.
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Puppetry of the penis – the idea of Mel Gibson and Jodie Foster playing man and wife was as ridiculous as the idea of a man’s depression and suicidal thoughts being solved in cahoots with a fluffy toy. Ghastly.
Dave Calhoun l David Jenkins l Tom Huddleston l Derek Adams l Geoff Andrew l Cath Clarke l Nigel Floyd l Trever Johnston l Anna Smith l Anil Sinanan
Towers over the competition. Terrence Malick’s cosmos-spanning film is the spiritual cinematic high of the twenty-first century so far.
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I can't recall a contemporary American film that has gotten as close to encapsulating the mellifluous, metaphysical and profoundly humane spirit of Eric Rohmer. Depressing to think it nearly slipped through the cracks.
Finally, French iconoclast Eugène Green gets some love in the UK. Some compared Green's film to the work of Robert Bresson, but this is like nothing else out there.
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It’s been a vintage year for female filmmakers (extra shout outs to Julia Leigh’s ‘Sleeping Beauty’ and Kelly Reichardt’s ‘Meek’s Cutoff’). This second film by French director Céline Sciamma was petite but perfect.
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Vietnam’s Tran Anh-Hung worked his languid magic on Haruki Murakami’s supposedly ‘unfilmable’ novel and delivered a depressing film about depression that was richly philosophical and visually gorgeous to boot.
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I’d rather have my limbs amputated then tossed into an industrial mincer and fed to diseased pigs than sit through this humour-neutral smug bomb again. How it got on to the cover of Film Comment I’ll never know…
Dave Calhoun l David Jenkins l Tom Huddleston l Derek Adams l Geoff Andrew l Cath Clarke l Nigel Floyd l Trever Johnston l Anna Smith l Anil Sinanan
2011 didn’t offer up a perfect film, but the movie which was flawed in the most fascinating way was undoubtedly ‘Kill List’, the best British crime flick in decades, balancing nightmarish beauty and heartstopping terror with astonishing confidence, depth and intelligence – even if it didn’t make complete logical sense.
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The age-old legend of a plucky band of mismatched heroes pitched against an oppressive system was repurposed and revitalised in Takashi Miike’s bold, brilliant, zero-bullshit return to the Samurai classics of yore, now with added eye-scorching action, fountains of gore and herds of burning cows.
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Yes, it was pretentious, impenetrable, occasionally listless and clearly incomplete – but oh, it was so beautiful, a dizzying ode to life, love and pain with all the swooning grace and full-throated force of those soaring chorales on the soundtrack. Bring on the six-hour cut.
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Even in its crippled 150-minute version, Kenneth Lonergan’s embattled sophomore feature glitters with brilliance: it’s a film of unique, unexpected scenes, and if the pieces don’t entirely fit together that only adds to the mystery and magic of this extraordinary character study.
There may have been more technically impressive films this year – ‘A Separation’ and ‘The Deep Blue Sea’ came close – but nothing was as breathlessly, exhilaratingly, unself-consciously joyous as Joe Cornish’s slapstick sci-fi satire – the year’s best London movie, hands down.
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In a year which saw the release of ‘Sucker Punch’, you have to pull off something pretty spectacular to get noticed… ‘Will’ combined brutally manipulative melodrama, Christian propaganda, terrible accents, artless filmmaking, logic-free plotting and footballers trying to act. The most misguided movie of the year.
Dave Calhoun l David Jenkins l Tom Huddleston l Derek Adams l Geoff Andrew l Cath Clarke l Nigel Floyd l Trever Johnston l Anna Smith l Anil Sinanan
Michelangelo Frammartino’s gentle, languorous three-part essay on Italian pastoral life remains for me the most harmonious, thought-provoking film of the year. All human life is here? Affirmative.
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Epic in scope, the Coens’s Western remake won me over with its engaging, naturalistic screenplay delivered with gusto by Jeff Bridges and young newcomer Hailee Steinfeld.
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Who would have thought a documentary about a Formula One racing driver could be so enthralling, emotionally uplifting and downright entertaining. A brilliant slice of documentary making.
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Steven Spielberg’s first Hergé adaptation hasn’t pleased some purists but for me it’s easily the most entertaining mainstream film of the year – and the most gorgeous to look at.
A great concept imaginatively mounted, Neil Burger’s stylish, briskly-paced pharmaceutical thriller lured me to the edge of the seat with its gripping premise and extraordinary special effects.
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This contemptible, barrel-scraping farrago of a sequel lacked laughs and any form of common decency. Enough already.
Dave Calhoun l David Jenkins l Tom Huddleston l Derek Adams l Geoff Andrew l Cath Clarke l Nigel Floyd l Trever Johnston l Anna Smith l Anil Sinanan
Slightly cheating, I’ve picked five imaginary double-bills to sum up 2011. These first two films represent genre filmmaking at its best: the past thrillingly, plausibly and very affectingly brought back to life.
Families, hired help, generational and class tensions… and deliciously destructive deceits galore.
What, philosophically, does it really mean to be alive? Existence and consciousness illuminatingly and amusingly reconsidered.
How we survive, crowded together in today’s urban environments, explored in ways both intelligent and worrying.
Familial responsibilities and wider ethical dilemmas, examined with lyrical simplicity and disarming honesty.
A waste of time, probably, to select a film with no artistic ambition, so... this was portentous, frequently tedious and not a little silly.
Dave Calhoun l David Jenkins l Tom Huddleston l Derek Adams l Geoff Andrew l Cath Clarke l Nigel Floyd l Trever Johnston l Anna Smith l Anil Sinanan
Who else could stretch cinema to its limits like Terrence Malick? A boy’s life, dinosaurs and the beginning of life on earth: we were talking about ‘The Tree of Life’ for weeks in our house. Poetic, beautiful and fierce.
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The most heart-singingly lovely film of the year. I was quite literally singing in the rain (or tap-dancing like a four and a half year old) after Michel Hazanavicius’s homage to silent movies.
Werner Herzog really showed what you can do with 3D, filming the 32,000 year-old Chauvet cave paintings. A tight race with Wim Wenders’s ‘Pina’: Herzog swings it with his voiceover.
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What a brilliant year for British film with ‘Submarine’, ‘Archipelago’, ‘Neds’, ‘Weekend’, ‘Tyrannosaur’ ‘Wuthering Heights’ and ‘Dreams of a Life.’ For the sheer thrill of watching so many world-class actors in one film – not least that leading-man comeback by Gary Oldman – this gets my vote.
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Another nail in the coffin for that dusty old ‘women aren't funny’ line.
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It looked like whimsy when Johnny ‘I’m not blockbuster boy’ Depp first sashayed into the multiplex wearing eyeliner. Now, I’m not sure even a new film with Tim Burton can dry out his soggy reputation.
Dave Calhoun l David Jenkins l Tom Huddleston l Derek Adams l Geoff Andrew l Cath Clarke l Nigel Floyd l Trever Johnston l Anna Smith l Anil Sinanan
Pedro Almodóvar's fetishistic, gender-bending drama, starring Elena Anaya and Antonio Banderas, sees the Spanish director back on shocking, subversive form.
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Kirsten Dunst is a heartbreaking revelation, as crippling depression and potential apocalypse are given the inimitable Lars von Trier treatment.
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Justin Kurzel's bleak, insightful account of Adelaide's infamous 'Bodies in the Barrels' killings majors in nerve-shredding tension and dread.
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Asif Kapadia's dramatically tense and involving documentary is a moving testament to the charming Brazilian racing driver who lived to compete.
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A forensic, stripped-down adaptation of John le Carré's 1974 espionage novel, by Swedish director Tomas Alfredson ('Let the Right One In').
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Inexplicable artistic decisions, absurd political correctness, dubious casting and director Andrea Arnold's characteristic focus on micro details at the expense of narrative sense.
Dave Calhoun l David Jenkins l Tom Huddleston l Derek Adams l Geoff Andrew l Cath Clarke l Nigel Floyd l Trever Johnston l Anna Smith l Anil Sinanan
A genuine original from Italian director Michelangelo Frammartino, exquisitely made, filled with wisdom and compassion.
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Social commentary done with subtlety, enterprise and insight as Lee Chang-dong gets a UK release at last.
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Raúl Ruiz departs on a high with the best nineteenth-century literary adaptation since Stanley Kubrick’s ‘Barry Lyndon’.
Space and movement, joy and pain, as Wim Wenders single-handedly justifies the existence of 3D.
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Michael Mann meets Robert Bresson on Mexican backstreets. Like wow…
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Not the year’s worst, but so shrill, cynical and annoying it’s profoundly depressing.
Dave Calhoun l David Jenkins l Tom Huddleston l Derek Adams l Geoff Andrew l Cath Clarke l Nigel Floyd l Trever Johnston l Anna Smith l Anil Sinanan
With its knockout performances, suspense, visual splendour, dark humour and disquieting psychological insights, this ticked a lot of boxes for me.
There’s a lot of joy to be had from this mischievous, clever crime comedy with the always-wonderful Brendan Gleeson.
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Utterly gripping and haunting in a very real sense, this docu-drama is one of the most memorable and original films of the year.
I’m not always willing to be drawn into Lars von Trier’s world but this one had me hooked with its jaw-dropping cinematography and offbeat take on the disaster-movie genre.
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If there’s one film this year I’d recommend to anyone – of any age or taste – it’s ‘The Artist’: an uplifting, playful and delightfully humorous tribute to silent cinema.
Martin Lawrence wasn’t funny in a fatsuit the first time round – three times certainly is not the charm.
Dave Calhoun l David Jenkins l Tom Huddleston l Derek Adams l Geoff Andrew l Cath Clarke l Nigel Floyd l Trever Johnston l Anna Smith l Anil Sinanan
Three 'desi boyz' decide that 'you live only once' and go on a life-changing credible road trip across Spain. Olé!
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Shit happens (literally) in this comedy of errors you can laugh along with, rather than at.
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Realistic examination of love and loss across the huge class divide in India's 'maximum city'.
Gritty expose of life in Mumbai's underworld as experienced by a single white British female.
Shah Rukh 'King' Khan retains his throne in this enjoyable sci-fi 3D singing superhero flick.
Mindless masala trash with gym bunny Salman Khan equating stripping to acting.
How anyone can list bridesmaids on favourite films is beyond me. The humour is far from intelligent and relies on trying to shock the audience with women soiling themselves. Drive, the guard and Ides of March were all high points for me.
Drive & The Descendants really stood out for me! The Ides of March also impressed. It's been a good year for Gosling and Clooney!
1) Howl
2) NEDs
3) 127 Hours
4) Henry’s Crime
5) Submarine
6) Inside Job
7) Hanna
8) Rabbit Hole
9) Drive
10) Little White Lies
.
Turkeys:
Sucker Punch/Rango/True Grit/West Is West/We Need To Talk About Kevin
Top Films of the Year:
=1. Animal Kingdom / Little White Lies
=3. A Separation / Bridesmaids
Ignore Picky Peter's comments, see below, re Bridesmaids, because this
was a really hilarious and very moving film with seriously funny women. Plus
the fact that the film's star, Kristen Wiig, co-wrote the film just underlines what
a genius she is.
=5. Kill List, N.E.D.S., We Need To Talk About Kevin, The Silence, Miss Bala,
The Fighter
Turkeys of the Year: The Adjustment Bureau, Submarine, One Day, Hugo
I'm surprised nobody included "Hugo". Main story-line, subplots, music, cinematography, acting, everything was just perfect! AND a great homage "to the movies". Best thing Scorcese has ever done, and one of the best performances Kingsley has given. Certainly the best thing I saw in 2011.
Bridesmaids.... seriously.... are you kidding me.... possibly the worst film I have seen in a long long time. Woman are funny and have been for a long time. Just not in this. The leads are unlikeable and just, well, crap (literally - don't watch it to find out why). Avoid at all costs.
Tom Huddleston's comments on The Tree of Life sound worryingly like that old 'you'll go a long way' KitKat advert from the 80's.
top films for me;
1 DRIVE
2 troll hunter
3 senna
4 kings speech
5 the thing 2011
Not one mention of DRIVE.
Time Out gets more farcical as time goes on!
1) Biutiful
2) Submarine
3) X Men First Class
4)The Inbetweeners Movie
Can`t make a 5th yet and there are a fair few candidates (Essential Killing, Miss Bala, Snowtown) which I`ve yet to see due to the provincial multiplexes` favouritism for mainstream movies.
As for the Time Out critics` choices, they demonstrate huge bias towards the "arthouse", as ever, though it`s nice to see more commercial fare like Attack the Block and Tintin popping up in a couple of lists.
How I Ended This Summer (Popogrebsky) and Generation P (based on the Pelevin book) are teo outstanding Russian films that released in 2011. They certainly deserve mention.
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